Paloma Picasso and Catherine Hutin. La Californie, Cannes 1957.

In the combined studio and living space of the villa La Californie in Cannes, Paloma Picasso and Catherine Hutin are seated at a round dining table, 1957. The high-ceilinged room is filled with an eclectic collection of art and objects. Rolled drawings are piled on a worktable, while a Cubist painting and stringed instruments hang on a wall. A tall French window illuminates the scene, highlighting a miscellany of items—boxing gloves, a decorative shield, and numerous unframed canvases—that cover the ornate paneled walls, creating a rich, creatively chaotic environment.

Artworks:

"Manolo Huguet: Affiche pour Musée d'Art moderne, Céret", 1957. Bloch.I:1278
"Portrait de femme à la robe verte II", 1956. Richardson.2010:207
On the shelf from left: "La cage à l'oiseau", 1953. Spies:548C;
"La grue", 1952-1954. Spies:461.II; MPParis:343
"Tête de femme (Dora Maar)", 1941. Spies:197.II;
"Petite chouette", 1951. Spies:477.I
"Oiseau", 1947. Picasso, Unique Ceramics, Hammer Galleries, New York, 1999, p.11
"Le Fou", 1905. MPParis:231; Spies:4; Zervos.I:322; Hakone:8
"Taureau", MPBarcelona:112.456
"Vénus et l'Amour (après Cranach)", 1957. Zervos.XVII:339; Litho: Christie's London, 26.4.2001
"Nature morte aux quatre poissons", 1957 or 1956 (Picasso, céramiste et la Méditerranée, Cat. 139, Exposition à Aubagne et Sèvres 2013/2014)
"Nu à la chaise", 1954. Bloch.I:763

Abbreviations: see Bibliography

Keywords:

BirdCage, Ceramics, Masks, Sculptures, TribalArt

Filename:

pic570364.jpg

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