Paloma Picasso and Catherine Hutin. La Californie, Cannes 1957.

At the villa La Californie in Cannes, 1957, Paloma Picasso turns in her chair to smile at the camera while seated at a round table with Catherine Hutin. They are surrounded by the creative clutter of Pablo Picasso’s studio-home, a high-ceilinged space filled with art. A large arched window illuminates the room, where a cubist painting hangs on a wall and tables are piled high with sketches, blending domestic life with artistic creation.

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Artworks:

"Manolo Huguet: Affiche pour Musée d'Art moderne, Céret", 1957. Bloch.I:1278
"Portrait de femme à la robe verte II", 1956. Richardson.2010:207
On the shelf from left: "La cage à l'oiseau", 1953. Spies:548C;
"La grue", 1952-1954. Spies:461.II; MPParis:343
"Tête de femme (Dora Maar)", 1941. Spies:197.II;
"Petite chouette", 1951. Spies:477.I
"Oiseau", 1947. Picasso, Unique Ceramics, Hammer Galleries, New York, 1999, p.11
"Le Fou", 1905. MPParis:231; Spies:4; Zervos.I:322; Hakone:8
"Taureau", MPBarcelona:112.456
"Vénus et l'Amour (après Cranach)", 1957. Zervos.XVII:339; Litho: Christie's London, 26.4.2001
"Nature morte aux quatre poissons", 1957 or 1956 (Picasso, céramiste et la Méditerranée, Cat. 139, Exposition à Aubagne et Sèvres 2013/2014)
"Nu à la chaise", 1954. Bloch.I:763

Abbreviations: see Bibliography

Keywords:

BirdCage, Ceramics, Masks, Sculptures, TribalArt

Filename:

pic570365.jpg

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