Pablo Picasso and Henri-Georges Clouzot studying a catalog of tapestries. Pablo Picasso used cut-outs for the two paintings "Nature morte sur une commode", 1955 and "Femme nue allongé" or "Grand nu allongé". Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn

Pablo Picasso and Henri-Georges Clouzot studying a catalog of tapestries. Pablo Picasso used cut-outs for the two paintings "Nature morte sur une commode", 1955 and "Femme nue allongé" or "Grand nu allongé". Nice, Studios de la Victorine, 1955.

At the Studios de la Victorine in Nice, 1955, a shirtless Pablo Picasso and Henri-Georges Clouzot are captured in a moment of quiet concentration. With his arm draped around Clouzot’s shoulders, Picasso studies a large, worn catalog of tapestries on a wooden table. Clouzot’s hand rests on the artist’s bare shoulder in a reciprocal gesture. That same year, Picasso used cut-outs for the paintings "Nature morte sur une commode" and "Femme nue allongé" or "Grand nu allongé."


Artworks:

  • "Nature morte sur une commode", 1955. Warncke:524
  • "Femme nue allongé" or "Grand nu allongé", 1955. , MPParis:1990.27
  • Abbreviations: see Bibliography


Keywords:

AtWork, MysterePicasso

Filename:

pic550848.jpg



It was not always easy to identify specific personalities, artworks, places or dates. If you are able to provide identifications or find any errors, we kindly request that you contact us.

The description for this image (but not the title) was generated with the help of AI.