Paloma Picasso and Catherine Hutin. La Californie, Cannes 1957.

Paloma Picasso and Catherine Hutin are seated at a dining table inside the bustling villa-studio La Californie in Cannes, 1957. The high-ceilinged room serves as both living space and creative hub, its walls densely hung with an eclectic mix of objects: Cubist paintings, stringed instruments, boxing gloves, and masks. In the foreground, unfurled drawings rest on a low table, while light from a large French door illuminates the rich, creative disarray of the lived-in environment.

Artworks:

"Manolo Huguet: Affiche pour Musée d'Art moderne, Céret", 1957. Bloch.I:1278
"Portrait de femme à la robe verte II", 1956. Richardson.2010:207
On the shelf from left: "La cage à l'oiseau", 1953. Spies:548C;
"La grue", 1952-1954. Spies:461.II; MPParis:343
"Tête de femme (Dora Maar)", 1941. Spies:197.II;
"Petite chouette", 1951. Spies:477.I
"Oiseau", 1947. Picasso, Unique Ceramics, Hammer Galleries, New York, 1999, p.11
"Le Fou", 1905. MPParis:231; Spies:4; Zervos.I:322; Hakone:8
"Taureau", MPBarcelona:112.456
"Vénus et l'Amour (après Cranach)", 1957. Zervos.XVII:339; Litho: Christie's London, 26.4.2001
"Nature morte aux quatre poissons", 1957 or 1956 (Picasso, céramiste et la Méditerranée, Cat. 139, Exposition à Aubagne et Sèvres 2013/2014)
"Nu à la chaise", 1954. Bloch.I:763

Abbreviations: see Bibliography

Keywords:

BirdCage, Ceramics, Masks, Sculptures, TribalArt

Filename:

pic570364.jpg

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