Paloma Picasso and Catherine Hutin. Large sofa weighed down with an array of papers, prints, guitar. La Californie, Cannes 1957.

In the creative clutter of the Villa La Californie studio in Cannes, Paloma Picasso, shirtless, and Catherine Hutin sit at a dining table in 1957. The room overflows with art: a cubist painting and a sculptural bust adorn the walls and mantelpiece, while an easel stands before a bright, arched window. Nearby, a large sofa is weighed down with an array of papers, prints, and a guitar, capturing the deep intertwining of family life and artistic creation in Pablo Picasso’s home.

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Artworks:

"Le chat", 1941. Spies:195.II
"Portrait de femme à la robe verte II", 1956. Richardson.2010:207
On the shelf from left "Tête de femme (Dora Maar)", 1941. Spies:197.II;
"Petite chouette", 1951. Spies:477.I
"Oiseau", 1947. Picasso, Unique Ceramics, Hammer Galleries, New York, 1999, p.11
"Le Fou", 1905. MPParis:231; Spies:4; Zervos.I:322; Hakone:8
"Taureau", MPBarcelona:112.456
"Vénus et l'Amour (après Cranach)", 1957. Zervos.XVII:339; Litho: Christie's London, 26.4.2001
"Tête de taureau", Spies:240
Boomerang
"Paloma", 1951. Warncke:481
"Jacqueline accroupie", 1954. Westheider:65
"Le chat", 1941. Spies:195.II
On the sofa a photo of "Les funérailles de Phocion", d'après Poussin Nicolas.

Abbreviations: see Bibliography

Keywords:

Ceramics, Sculptures

Filename:

pic570366.jpg

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