Pablo Picasso showing his original lithograph for the poster announcing his 1960. show in Nice. La Californie, Cannes 1960.

Bare-chested in his bustling studio at the Villa La Californie, Pablo Picasso leans over a modern chair to work on the original lithograph for the poster of his 1960 exhibition in Nice. The grand, high-ceilinged room, with its classical architecture, is filled with creative chaos. A massive Cubist canvas dominates one wall amid numerous other paintings and drawings stacked against the furniture, capturing the immense artistic energy of the artist’s personal workspace. Cannes, 1960.

Artworks:

"Femme au balcon", Picasso oeuvre gravé janvier
May 1960. Galerie des Ponchettes. Nice", 1960. Signed and dedicated "Pour mon ami Quinn". Bloch.I:1289 and
From left: "Oiseau", 1957 (Spies dates 1958, probably wrong)
Photo Henri de Toulouse-Lautrec
"Nature morte aux poires et au pichet", Duncan, D. Picasso's Picassos. New York 1970:219
"Nature morte au compotier", 1937. Pola Museum of Art, Kanagawa, Japan, not in Zervos
"Nature morte à la bougie", 1937. Sotheby's London, 19.6.2013
"Faunes et chèvres", Bloch.I:934; Geiser/Baer:1263
"Les demoiselles d'Avignon: buste de femme à la grande oreille (Étude)"
"Homme, femme et enfant", , Zervos.IIb:587
"Femme debout", Spies:480
Background: "Les Demoiselles d'Avignon", reproduction in tapestry of Zervos.IIa:18
Bronze replica of God A'a, Rurutu, Austral Islands, Stepan:12
Balaphone, Baninko, Mali, Stepan:29
"Main droite" >> Artwork(s) not yet identified

Abbreviations: see Bibliography

Keywords:

ArtNotIdentified, Dedication, Masks, Sculptures, TribalArt

Filename:

pic600368.jpg

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