Paloma Picasso watching her father Pablo Picasso dedicating "Faune (Pour mon ami E. Quinn) see Pic600664. La Californie, Cannes 1960. La Californie, Cannes 1960.

At his La Californie studio in Cannes, 1960, a shirtless Pablo Picasso sits at a cluttered table, smiling gently for the photographer, Edward Quinn. With a pen poised, he is dedicating the artwork "Faune (Pour mon ami E. Quinn)". To his right, his daughter Paloma leans in, also smiling warmly. The intimate scene is filled with art supplies, a bottle of Moët & Chandon, and a background of sculptures and paintings, capturing a relaxed moment of creative life.

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Artworks:

"Faune (Pour mon ami E. Quinn)", frontispiece of the book "Picasso: 45 Gravures sur Linoléum", 1960.
On the shelf from left "La grue", 1952-1954. Spies:461.II; MPParis:343
"Tête de femme (Dora Maar)", 1941. Spies:197.II,
Female African figure, Stepan>> Artwork(s) not yet identified
"Chouette en colère", 1951-1953. Spies:477.I
"Oiseau", 1947. Picasso, Unique Ceramics, Hammer Galleries, New York, 1999, p.11
"Le Fou", 1905. MPParis:231; Spies:4; Zervos.I:322; Hakone:8
"Taureau", 1957. MPBarcelona:112.456
Chart behind the ceramic "Taureau", MPBarcelona:112.456 >> Artwork(s) not yet identified
"Plante aux toritos", 25.6.56/9.4.60. Bloch.I:948; Geiser/Baer:1214.IIBd
Drawing on the easel "Portrait de Madeleine Riffaud", 1945, (reproduction). Exh.cat. Picasso et la guerre, Musée de l’Armée, Invalides, Paris 2019:220

Abbreviations: see Bibliography

Keywords:

Ceramics, Dedication, PaintingUtensils, Sculptures, TribalArt

Filename:

pic600439.jpg

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