In his studio at Mas Notre-Dame-de-Vie, Pablo Picasso shows for comparison his original linoleum block for "Portrait of Jacqueline" and a linocut print made from it. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn

In his studio at Mas Notre-Dame-de-Vie, Pablo Picasso shows for comparison his original linoleum block for "Portrait of Jacqueline" and a linocut print made from it. Mas Notre-Dame-de-Vie, Mougins 1964.

In his studio at Mas Notre-Dame-de-Vie in Mougins, 1964, Pablo Picasso compares the original linoleum block for his "Portrait of Jacqueline" with a finished print. Wearing a dark V-neck sweater, he holds the etched block in his hands, a lit cigarette between his fingers. Before him, the corresponding linocut, dated "∙27∙8∙59∙", is propped on a rush-seated wooden chair. The studio is filled with stacked canvases, ceramics, and slender sculptures, set against a floor of irregular tiles.


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Artworks:

  • "Le peintre", 1963. Zervos.XXIII:176
  • Linoblock and print "Jacqueline", 1959. Bloch.I:923; Geiser/Baer:1245
  • Tribal art: Female figure doogele, Senufo, Ivory coast, Stepan:50
  • Figure doogele, Senufo, Ivory coast, Stepan:51
  • Pictures on the right >> Artwork(s) not yet identified
  • Vases >> Artwork(s) not yet identified
  • Abbreviations: see Bibliography


Keywords:

ArtNotIdentified, Ceramics, TribalArt

Filename:

pic640322.jpg



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