Mas Notre-Dame-de-Vie, Mougins Oct. 1964.

Pablo Picasso’s studio at Mas Notre-Dame-de-Vie in Mougins, October 1964. A large, horizontal cubist painting dominates the scene from its easel, featuring a dark, fragmented figure with a mask-like face and a distorted, reclining nude. To the right, a second easel holds smaller matted works on paper. Shiny metal plates for printmaking lean against canvases in the foreground, part of the cluttered, creative atmosphere of the artist’s working space.

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Artworks:

"Le peintre et son modèle dans un paysage", 1963. Zervos.XXIII:260
"Le peintre I", 1963. Zervos.XXIII:180
"Dans l'atelier", 1963. Bloch.I:1119; Geiser/Baer:1113.Bb2
"L'étreinte VII", 1963. Bloch.I:1135; Geiser/Baer:1109.IIIBb2
Le peintre à la palette" or "Le peintre et sa toile", 1963. Bloch.I:1153; Geiser/Baer:1342

Abbreviations: see Bibliography

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