A corner of the painting studio on the ground floor. Pablo Picasso used photographer‘s lamp stands not only for working at night but also to illuminate works on his easels. Mas Notre-Dame-de-Vie Mougins 1965.

A corner of Pablo Picasso’s painting studio on the ground floor of his Mas Notre-Dame-de-Vie in Mougins, 1965. A multi-level wooden easel holds two dark paintings, one with a handwritten sign mentioning "PICASSO" and "TOULOUSE." The room is filled with canvases, sculptures, and an architectural model. To the left, a tall photographer’s lamp on a tripod stands ready—a tool Picasso used not only for working at night but also to illuminate the works on his easels.

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Artworks:

"Femme debout", 1964. Zervos.XXIV:2
Joan Miró, "Portrait d'une danseuse espagnole", 1921
"Tête de femme", 1964. Spies:632
"Picasso et le théâtre, Toulouse, Musée des Augustins, juin - septembre 1965", 1965.
Linoblock "Carnaval", 1965. Bloch.I:1193; Geiser/Baer:1356
"Peintre dessinant et modèle nu au chapeau" or "Le peintre et son modèle", 1965. Bloch.I:1194; Geiser/Baer:1357
Model of Chicago Civic Center
Partly hidden: Henri Rousseau: "Portrait de l'artiste par lui même", 1902/1903
Henri Rousseau, "Portrait de la deuxieme femme de l'artiste avec la lampe", 1900/1903)
Tribal art sculpture >> Artwork(s) not yet identified

Abbreviations: see Bibliography

Keywords:

ArtNotIdentified, Sculptures, TribalArt

Filename:

pic650295.jpg

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