The Edward Quinn Archive

A corner of the painting studio on the ground floor. Pablo Picasso used photographer‘s lamp stands not only for working at night but also to illuminate works on his easels. Mas Notre-Dame-de-Vie Mougins 1965. - Photo by Edward Quinn

A corner of the painting studio on the ground floor. Pablo Picasso used photographer‘s lamp stands not only for working at night but also to illuminate works on his easels. Mas Notre-Dame-de-Vie Mougins 1965.

This photo is also available as a vintage print in the following sizes:
18x24 cm and 24x30 cm
Please contact us for details.

Artworks:

  • "Femme debout", 1964. Zervos.XXIV:2
  • Joan Miró, "Portrait d'une danseuse espagnole", 1921
  • "Tête de femme", 1964. Spies:632
  • "Picasso et le théâtre, Toulouse, Musée des Augustins, juin - septembre 1965", 1965.
  • Linoblock "Carnaval", 1965. Bloch.I:1193; Geiser/Baer:1356
  • "Peintre dessinant et modèle nu au chapeau" or "Le peintre et son modèle", 1965. Bloch.I:1194; Geiser/Baer:1357
  • Model of Chicago Civic Center
  • Partly hidden: Henri Rousseau: "Portrait de l'artiste par lui même", 1902/1903
  • Henri Rousseau, "Portrait de la deuxieme femme de l'artiste avec la lampe", 1900/1903)
  • Tribal art sculpture >> Artwork(s) not yet identified

    • Abbreviations: see Bibliography

Keywords:

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Filename:

pic650295.jpg

Photo Edward Quinn, © edwardquinn.com / © Succession Picasso / 2020, ProLitteris, Zurich
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It was not always easy to identify specific personalities, artworks, places or dates. If you are able to provide identifications or find any errors, we kindly request that you contact us.