The Edward Quinn Archive

Pablo Picasso in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn

Pablo Picasso in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964.

Artworks:

  • Foreground: "Femme assise dans un fauteuil (Buste de Jacqueline)", 1964. Zervos.XXIV:135
  • "Jacqueline lisant", 1964. Bloch.I:1181; Geiser/Baer:1292; Hakone:116 (Bronze)
  • "Femme jouant avec un petit chat", 1964. Zervos.XXIV:140
  • "Le peintre II", 1963. Zervos.XXIII:176
  • "Cheval", 1964. Zervos.XXIV:1
  • On the floor left: 2 expl. "Centaure", 1951. 51:072; Spies:414.II
  • From here on clockwise in the background: "Tête de femme (Jacqueline)", 1962. Spies:633
  • "Tête de femme", 1957. MPParis:350 57:166; Spies:493.I
  • "Tête", 1962. Spies:637
  • Tribal art sculpture not in Stepan or "Picasso primitive"
  • "Tête (Maquette du Chicago Civic Center)", 1962-1964. Spies:643
  • "Tête de femme", 1962. Spies:638
  • "Femme portant un enfant", 1953. Spies:478
  • "Femme debout", 1953. Spies:480
  • On the floor right "Vase
  • Visage", 1948. Spies:317.II

    • Abbreviations: see Bibliography

Keywords:

Filename:

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Photo Edward Quinn, © edwardquinn.com / © Succession Picasso / 2020, ProLitteris, Zurich
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