In his studio at Mas Notre-Dame-de-Vie, Pablo Picasso shows for comparison his original linoleum block for "Portrait of Jacqueline" and a linocut print made from it. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn

In his studio at Mas Notre-Dame-de-Vie, Pablo Picasso shows for comparison his original linoleum block for "Portrait of Jacqueline" and a linocut print made from it. Mas Notre-Dame-de-Vie, Mougins 1964.

In his studio at Mas Notre-Dame-de-Vie, Mougins, in 1964, Pablo Picasso looks directly at the camera. He presents for comparison the original linoleum block for his “Portrait of Jacqueline” alongside a linocut print made from it, resting the two pieces on a simple woven-seat stool. The prolific artist is surrounded by his creations; stacked canvases, finished paintings, and decorated ceramics fill the active workspace, which features a distinctive hexagonal-tiled floor.


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Artworks:

  • Vase: "Abstraction japonaise", 1963. Sotheby's London, 25.6.2015. Picasso. Earth & Fire
  • "Femme assise", 1963. MPParis:218; Leymarie:265
  • Linoblock and print "Jacqueline", 1959. Bloch.I:923; Geiser/Baer:1245
  • "Le peintre et son modèle", 1963. Zervos.XXIII:210
  • "Le peintre et son modèle", 1963. Zervos.XXIII:201
  • "Le peintre", Zervos.XXIII:175
  • "Visage appuyé sur une main (Jacqueline)" or "Buste de femme", "Les Dames de Mougins", 1962. Zervos.XXIII:88
  • Linoblock and print "Jacqueline", 1959. Bloch.I:923; Geiser/Baer:1245
  • "Le peintre", 1963. Zervos.XXIII:176
  • Vase >> Artwork(s) not yet identified
  • Abbreviations: see Bibliography


Keywords:

ArtNotIdentified, Ceramics

Filename:

pic640323.jpg



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