Pablo Picasso in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn

Pablo Picasso in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964.

Pablo Picasso stands with his arms crossed in a room at his Mas Notre-Dame-de-Vie home that he used as a private viewing space. He would arrange his work here so he could see it from the living room and share it with close friends. Dressed in a light sweater and patterned trousers, he thoughtfully surveys his recent paintings, including a Cubist portrait and a canvas of a figure holding a cat. In front, a table is covered with an array of small, dark, sculpted figures, surrounded by the creative clutter of his studio. Mougins, 1964.


Artworks:

  • "Tête de femme", 1962. Spies:638
  • 2 expl. "Tête" (Maquette du Chicago Civic Center)", 1962-1964. Spies:643
  • "Femme portant un enfant", 1953. Spies:478
  • "Femme debout", 1953. Spies:480
  • "Tête de femme (Jacqueline)", 1962. 7; Spies:633
  • "Le peintre II", 1963. Zervos.XXIII:176
  • Small sculptures in the foreground >> Artwork(s) not yet identified
  • "Femme assise dans un fauteuil (Buste de Jacqueline)", 1964. Zervos.XXIV:135
  • "Femme jouant avec un petit chat", 1964. Zervos.XXIV:140
  • "Cheval", 1964. Zervos.XXIV:1
  • Ceramics >> Artwork(s) not yet identified
  • Abbreviations: see Bibliography


Keywords:

ArtNotIdentified, Ceramics, Sculptures

Filename:

pic640138.jpg



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