A view of the sculpture studio on the ground floor of Mas Notre-Dame-de-Vie. Amid Pablo Picasso’s own sculptures a plaster copy of Michelangelo’s "Dying Slave". Mas Notre-Dame-de-Vie, Mougins 1974. (photographed after Pablo Picasso's death) - Photo by Edward Quinn

A view of the sculpture studio on the ground floor of Mas Notre-Dame-de-Vie. Amid Pablo Picasso’s own sculptures a plaster copy of Michelangelo’s "Dying Slave". Mas Notre-Dame-de-Vie, Mougins 1974. (photographed after Pablo Picasso's death)

The sculpture studio on the ground floor of Mas Notre-Dame-de-Vie in Mougins, photographed in 1974 after Pablo Picasso’s death. Amid the artist's own eclectic creations—including abstract bronzes, a totemic figure, and a stark geometric chair—a plaster copy of Michelangelo’s "Dying Slave" stands in the light of a large arched window. The room, with its rough stone walls, holds a dense collection of works where different artistic styles coexist.


Artworks:

  • Part of "La femme à la poussette", 1950. Spies:407
  • "La chaise", 1961. MPParis:359: Spies:592
  • Copy of "The dying Slave" of Michelangelo, today MPAntibes
  • "Tête de femme", 1931. Spies:133
  • Harp (kora), West Africa. Stepan:35 _ "La femme à l'orange", 1934. Spies:236
  • "Guitare et bouteille de bass", MPParis:246; Spies:33B
  • Abbreviations: see Bibliography


Keywords:

Sculptures, TribalArt

Filename:

pic740158.jpg



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