A view of the sculpture studio on the ground floor of Mas Notre-Dame-de-Vie. Amid Pablo Picasso's own sculptures, a plaster copy of Michelangelo's "Dying Slave". At right, "Head of a Woman", Boisgeloup, 1932. Mas Notre-Dame-de-Vie, Mougins 7/1974. (postumous).

The ground-floor sculpture studio at Mas Notre-Dame-de-Vie in Mougins, photographed posthumously in July 1974. A plaster cast of Michelangelo's "Dying Slave" stands at the center, its classical form contrasting with Pablo Picasso's own works. The space, with its rough stone walls and tiled floor, is filled with his creations, including "Head of a Woman" (Boisgeloup, 1932) at the right. Natural light enters through a large, arched doorway.

Artworks:

From left: Part of "La femme à l'orange", 1934. Spies:236.
"La femme enceinte, 2ème état", 1950/1959. Spies:350.I
God A'a, Rurutu, Austral Islands, (bronze: Stepan:12)
"Forme féminine", 1948. Spies:332.I
"Tête de femme (Dora Maar)", 1941. Spies:197.II
"Tête de femme", 1931. Spies:132
"Homme", 1958. Spies:538
A copy of "The dying Slave" of Michelangelo, today MPAntibes
"Tête de femme", 1931. Spies:133
"Buste de femme" (Marie-Thérèse), 1931. Spies:131; MPParis:299
Wireframe of a sculpture >> Artwork(s) not yet identified
Background: "La grande statue", broken, 1932. MPParis:1966.241; Spies:107
"L'homme au mouton", in two parts, 1943. Spies:280

Abbreviations: see Bibliography

Keywords:

ArtNotIdentified, Sculptures, TribalArt

Filename:

pic740154.jpg

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