Pablo Picasso working on gouache with Caran d'ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. Edouard Pignon, unknown man, Hélène Parmelin, Jacques Frélaut. A table by Joseph-Marius Tiola in the foreground. La Californie, Cannes 1961. - Photo by Edward Quinn

Pablo Picasso working on gouache with Caran d'ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. Edouard Pignon, unknown man, Hélène Parmelin, Jacques Frélaut. A table by Joseph-Marius Tiola in the foreground. La Californie, Cannes 1961.

In the sunlit studio of his villa La Californie, Pablo Picasso examines a gouache created with Caran d'Ache pastels, watched closely by printer Jacques Frélaut. Seated nearby are painter Edouard Pignon smoking in a wicker chair, writer Hélène Parmelin, and an unidentified man. The room is filled with creative clutter, its ornate walls hung with art and a stringed instrument. A small folding table by Joseph-Marius Tiola stands in the foreground. Cannes, 1961.


Artworks:

  • "Rencontre: Centaure et homme au bâton", et "Centaure et homme barbu", 24.3.1961. Geiser/Baer:1084.B >> Artwork(s) not yet identified
  • "Vase et bouquet", 1961 >> Artwork(s) not yet identified
  • "La Californie IV", 1958. Westheider:35
  • "Nature morte au compotier" or "Nature morte aux cerises", 1943. Guigon:234
  • "Le dormeur", 1956. RamieA:323s; Matamoros:299– "Horloge à décor de visage", 1956.
  • Abbreviations: see Bibliography


Keywords:

ArtNotIdentified, AtWork, Ceramics, PaintingUtensils, PersonNotIdentified, Writers

Filename:

pic610265.jpg



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