Massimo Campigli at his studio in Saint-Tropez 1964.

In his Saint-Tropez studio in 1964, the Italian painter Massimo Campigli is captured in a contemplative moment. Seated in a modern armchair in a slightly sunken area of the room, he looks downward with his hands clasped. The space is defined by his art; a massive modernist painting with stylized, totemic figures hangs behind him, and an abstract sculpture occupies the foreground. A prominent table lamp with a large, woven lampshade sits on a low wall, the quiet, personal scene illuminated by natural light from a large window.

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