Ceramics on the heater ? - "Horloge à décor de visage" alternate "Visage en forme d'horloge”, 1956. OPP.56:462; AR:326s - "Intérieur avec femme dans un rocking chair ", 1956. OPP.56:327" - "La Californie IV ", 1958. OPP.58:142 " "Nature morte au compotier " alternate "Nature morte aux cerises", 1943. OPP.43:227 - bullfight painting by Claude: POUR MON PAPA CHERIE CLAUDE - "Le dormeur", 1956. OPP. 56:500 (cast after "Visage dormeur", 1956. GR.74:729. OPP.56:380; AR:343 - Photo by Edward Quinn

Ceramics on the heater ? - "Horloge à décor de visage" alternate "Visage en forme d'horloge”, 1956. OPP.56:462; AR:326s - "Intérieur avec femme dans un rocking chair ", 1956. OPP.56:327" - "La Californie IV ", 1958. OPP.58:142 " "Nature morte au compotier " alternate "Nature morte aux cerises", 1943. OPP.43:227 - bullfight painting by Claude: POUR MON PAPA CHERIE CLAUDE - "Le dormeur", 1956. OPP. 56:500 (cast after "Visage dormeur", 1956. GR.74:729. OPP.56:380; AR:343

Pablo Picasso stands, hand to his mouth, during an informal gathering at his Villa La Californie. To the left, a group of four women are seated, their attention on him. The relaxed, intimate space is filled with art, including Picasso’s own ceramics like "Horloge à décor de visage" (1956) and paintings such as "Nature morte au compotier" (1943). Among the works is a personal touch: a bullfight painting by his son Claude, inscribed "POUR MON PAPA CHERIE CLAUDE." Palm fronds are visible through a large window.


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