One day Quinn asked Pablo Picasso if he could photograph the top floor studios. He agreed and prcoeeded to take out, one by one, old and new paintings from his collection. This work Pablo Picasso remembered Quinn photographed him painting in 1955 (see 550853 - 550929). Mas Notre-Dame-de-Vie, Mougins 1967.
In his top-floor studio at Mas Notre-Dame-de-Vie, Mougins, Pablo Picasso brings out paintings from his collection for Edward Quinn to photograph in 1967. The artist, wearing a bold, patterned shirt, stands confidently with his left hand on his hip, flanked by two large, abstract canvases. The work on the left features biomorphic forms, while the one on the right depicts a stylized, reclining nude. Against the exposed stone wall in the background, more canvases are stacked in open wooden crates.
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Artworks:
- "Femme lançant une pierre", 1931. MPParis:133; Zervos.VII:329
- "Figures au bord de la mer", 1931. MPParis:131; Zervos.VII:328
- "Trois colombes", 1960. MPMalaga:1.11.A
- "Oiseaux à la Californie I", 1960. Exh. Galerie Leiris, Peintures et Dessins 1932-1972. Paris 1989
Abbreviations: see Bibliography
Keywords:
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Filename:
pic670230.jpg
Photo Edward Quinn, © edwardquinn.com / © Succession Picasso / 2020, ProLitteris, Zurich
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