One day Quinn asked Pablo Picasso if he could photograph the top floor studios. He agreed and prcoeeded to take out, one by one, old and new paintings from his collection. This work Pablo Picasso remembered Quinn photographed him painting in 1955 (see 550853 - 550929). Mas Notre-Dame-de-Vie, Mougins 1967. (Digitized from Vintage Print, original negative missing)
Pablo Picasso stands confidently in his studio at Mas Notre-Dame-de-Vie, Mougins, in 1967. Wearing a distinctive, patterned shirt with his hands tucked into his pockets, he looks directly at the camera. He is framed by large-scale canvases from his collection, which he had just taken out to show Edward Quinn. To his left and right are two large paintings of abstract, reclining nudes with rounded, biomorphic forms. Numerous other artworks are stacked against the walls, offering a portrait of the master in his creative environment.
This photo is also available as a vintage print in the following size:
18x24 cm
Please contact us for details.
Artworks:
- "Femme lançant une pierre", 1931. MPParis:133; Zervos.VII:329
- "Figures au bord de la mer", 1931. MPParis:131; Zervos.VII:328
- "Trois colombes", 1960. MPMalaga:1.11.A
- "Oiseaux à la Californie I", 1960. Exh. Galerie Leiris, Peintures et Dessins 1932-1972. Paris 1989
Keywords:
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Filename:
pic670267_124b_negmiss.jpg
Photo Edward Quinn, © edwardquinn.com / © Succession Picasso / 2020, ProLitteris, Zurich
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The description for this image (but not the title) was generated with the help of AI.