The Edward Quinn Archive

Picasso and Hidalgo Arnéra at Mas Notre-Dame-de-Vie, Mougins 1964. , - Photo by Edward Quinn

Picasso and Hidalgo Arnéra at Mas Notre-Dame-de-Vie, Mougins 1964. ,

Inside his cluttered studio at Mas Notre-Dame-de-Vie in Mougins, Pablo Picasso points across the room as Hidalgo Arnéra looks on, smiling. The space, captured in 1964, is filled with the artist’s work in his distinctive modern style. A large canvas leans against the back wall, while painted ceramics are gathered near a window. The hexagonal tiled floor is strewn with prints and portfolios, conveying the atmosphere of a busy, active workspace where a framed line drawing rests on a simple wooden chair.

Artworks:

  • Prints and linoblocks "Cinque sujets différents", 1964 (not 1959–1961). Lit. Picasso Estampes 1904–1974, Exh.cat., Fondation Pierre Gianadda. Martigny 1981. Cat. 134. ("Couple debout”
  • “Bacchanale au chat et à la chèvre (Musicien et danseur)” 1959. Ba:1257.BB
  • “Homme jouant de la flûte traversiere or ”Étreinte“, 1959.
  • “Jeune homme apportant une ecuelle a un viellard”, 1961. Ba:1271.I
  • “Faune et chèvre” or “Flûtiste et chèvre savant”, 1959. B.I.:949; Ba:1267). See also Ba:1257.BA. Lit. Works on Paper from the Pablo Picasso Estate (Anderson Galleries, Locust Valley, 2006). Locust Valley. 2006
  • Sculptures from left: "Tête de femme", 1957. MPP:350; Wofsy.57:166; WS:493
  • "Tête de femme", 1962. Wofsy.62:340; WS:635
  • “Tête de femme”, 1962. MPP:366; Wofsy.62:335; WS:631
  • "Tête de femme" or "Jacqueline au ruban vert", 1962. Wofsy.62:336; WS:629.2
  • "Tête de femme", 1962. Wofsy.62:342; WS:637
  • "Tête de femme (Jacqueline)", 1962. WS:634
  • on the tripod "Tête de femme", 1962. Wofsy.62:341; WS:636
  • "Tête de femme", 1962. Wofsy.62:342; WS:637
  • Vase: "Abstraction japonaise", 1963.
  • "Le peintre", 1963 ?

  • Abbreviations: see Bibliography

Keywords:

ArtNotIdentified, Ceramics, Music, Sculptures

Filename:

pic640255.jpg

Photo Edward Quinn, © edwardquinn.com and © Succession Picasso, Paris
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