From left: Luciano Emmer, Jeanne Huguet ("Totote", widow of the catalan sculptor Manolo Huguet), not yet identified woman, Totote's adopted daughter Rosa (Rosita) Huguet and Pablo Picasso in front of Le Fournas. Vallauris 1953. - Photo by Edward Quinn

From left: Luciano Emmer, Jeanne Huguet ("Totote", widow of the catalan sculptor Manolo Huguet), not yet identified woman, Totote's adopted daughter Rosa (Rosita) Huguet and Pablo Picasso in front of Le Fournas. Vallauris 1953.

Director Luciano Emmer stands at left, addressing a group in an informal moment outside Le Fournas in Vallauris, 1953. Seated before him are Jeanne Huguet (“Totote”), widow of the sculptor Manolo Huguet, and an unidentified woman with a notepad. On the ground, leaning against the large wooden door, are Jeanne’s adopted daughter, Rosa Huguet, and Pablo Picasso. Rosa looks up at the speaker, while Picasso, smoking a cigarette, observes the scene.


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