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A total of 273 images have been found for the keyword «ArtistsPortrait».

  • Colette in Monaco for the "Prix Prince Pierre". Hotel de Paris in Monte Carlo 1954. - Photo by Edward Quinn
  • Colette in Monaco for the "Prix Prince Pierre". With Prince Pierre de Polignac. Hotel de Paris in Monte Carlo 1954. - Photo by Edward Quinn
  • Maurice Chevalier strolling in the Jardin Albert Premier, Nice 1951. He owned a villa, La Louque, near Cannes. - Photo by Edward Quinn
  • Marc Chagall at the Chagall painting exhibition. Nice, February 1952. - Photo by Edward Quinn
  • Marc Chagall at the Chagall painting exhibition. Nice, February 1952. - Photo by Edward Quinn
  • Jean Cocteau at Villa Santo Sospir. Saint-Jean-Cap-Ferrat 1952. - Photo by Edward Quinn
  • Jean Cocteau at Villa Santo Sospir, working on ink drawing "Souvenirs de Jean Cocteau". Saint-Jean-Cap-Ferrat 1952. - Photo by Edward Quinn
  • Jean Cocteau at his apartement at Villa Santo Sospir with a mask he made from cut-out paper and designs sketched in with pencil. Saint-Jean-Cap-Ferrat 1952. - Photo by Edward Quinn
  • Actor, director and scenic designer Edward Gordon Craig. Villa Chapignac, Vence 1952. - Photo by Edward Quinn
  • Actor, director and scenic designer Edward Gordon Craig. Villa Chapignac, Vence 1952. - Photo by Edward Quinn
  • Actor, director and scenic designer Edward Gordon Craig. Villa Chapignac, Vence 1952. - Photo by Edward Quinn
  • Actor, director and scenic designer Edward Gordon Craig. Villa Chapignac, Vence 1952. - Photo by Edward Quinn
  • Actor, director and scenic designer Edward Gordon Craig. Villa Chapignac, Vence 1952. - Photo by Edward Quinn
  • Actor, director and scenic designer Edward Gordon Craig. Villa Chapignac, Vence 1952. - Photo by Edward Quinn
  • Actor, director and scenic designer Edward Gordon Craig. Villa Chapignac, Vence 1952. - Photo by Edward Quinn
  • Actor, director and scenic designer Edward Gordon Craig. Villa Chapignac, Vence 1952. - Photo by Edward Quinn
  • Jean-Michel Damase, concert pianist and composer. Cannes 1952 - Photo by Edward Quinn
  • Somerset Maugham at the Nice Airport 1952. - Photo by Edward Quinn
  • Marc Chagall at his home with his ceramics. Saint-Paul-de-Vence 1953. - Photo by Edward Quinn
  • Marc Chagall at his home with his ceramics. Saint-Paul-de-Vence 1953. - Photo by Edward Quinn
  • Marc Chagall at his home with his ceramics. Saint-Paul-de-Vence 1953. - Photo by Edward Quinn
  • Marc Chagall at his home. Saint-Paul-de-Vence 1953. - Photo by Edward Quinn
  • Jean Cocteau. Cannes 1953. - Photo by Edward Quinn
  • Le Corbusier (Charles-Édouard Jeanneret) at the small restaurant L'Etoile de Mer next to his vacation cabin Le Cabanon. Roquebrune-Cap-Martin 1953. - Photo by Edward Quinn
  • Le Corbusier (Charles-Édouard Jeanneret) at the small restaurant L'Etoile de Mer next to his vacation cabin Le Cabanon. Roquebrune-Cap-Martin 1953. - Photo by Edward Quinn
  • Bruce Marshall with one of his many cats (guess which one: Sammy, Joshua Dew Choir, Casiano, Hengist, Geddes Bijou, Emma, Enzo, Fan-Fan-la-TuIipe, Bunter). Cap d'Antibes 1953. - Photo by Edward Quinn
  • Henri Matisse 1953. in front of the Foyer Lacordaire beside the Rosaire Chapel of the Dominican convent in Vence. He designed all the religious motifs and stained glass windows of the chapel. - Photo by Edward Quinn
  • Maurice Chevalier relaxing at the Palais de la Mediterranée during filming for "J'avais sept filles". Nice 1954. - Photo by Edward Quinn
  • Jean Cocteau at Villa Santo Sospir of his close friend Francine Weisweiller in front of one of the murals he made for the interior walls. Saint-Jean-Cap-Ferrat 1954. - Photo by Edward Quinn
  • Jean Cocteau at Villa Santo Sospir. Saint-Jean-Cap-Ferrat 1954. - Photo by Edward Quinn
  • Colette in Monaco for the "Prix Prince Pierre". Hotel de Paris in Monte Carlo 1954. - Photo by Edward Quinn
  • Aldous Huxley interviewed for radio while participating in a parapsychological seminary at Vence. - Photo by Edward Quinn
  • La Belle Otéro, a dancer, singer and a "demie-mondaine" of "La Belle Epoque". Unfortunately she lost her fortune at the Monte Carlo Casino, and during the fifties she lived in a very small flat in Nice. Nice 1954. - Photo by Edward Quinn
  • When Françoise Sagan became famous, having written "Bonjour Tristesse", she went to live at Cannes in a room at the Carlton Hotel and worked there on her novel "Un certain Sourire". Cannes 1954. - Photo by Edward Quinn
  • Françoise Sagan on the Croisette. Cannes 1954. - Photo by Edward Quinn
  • Françoise Sagan evaluating a Jaguar XK120 at the showroom of a Jaguar dealer in Cannes 1954. - Photo by Edward Quinn
  • Françoise Sagan evaluating a Jaguar XK120 at the showroom of a Jaguar dealer in Cannes 1954. - Photo by Edward Quinn
  • British painter Graham Sutherland at his home La Villa Blanche, route de Castellar. Menton 1954. - Photo by Edward Quinn
  • British painter Graham Sutherland at his home La Villa Blanche, route de Castellar. Menton 1954. - Photo by Edward Quinn
  • Max Ophüls. Lunch during filming of "Lola Montès". Nice 1955. - Photo by Edward Quinn
  • Georges Simenon at his desk. Villa Golden Gate, Cannes 1955. - Photo by Edward Quinn
  • George Simenon at his Villa Golden Gate. Cannes 1955. - Photo by Edward Quinn
  • Italian painter Manfredi Borsi with "Poèmes et lithographies", Bloch.I:615, at a private viewing of Picasso's book illustrations in the Matarasso gallery in Nice. "Picasso. Un Demi-Siècle de Livres Illustrés". Galerie H. Matarasso. December 21 - January 31. Nice 1956. - Photo by Edward Quinn
  • Raymond Moretti. Nice 1956. - Photo by Edward Quinn
  • Jean Cocteau. Cannes Film Festival, gala evening 1957. - Photo by Edward Quinn
  • Encouraging Salvador Dalí in his work is his Russian born wife Gala to whom he submits all his work for her critic or approval. At Salvador Dalí's house, Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • Salvador Dalí poses at his studio with his ink drawing of a madonna and her child and the painting "Cosmic Madonna", finished in 1958. At Salvador Dalí's house, Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • Salvador Dalí poses at his studio with his ink drawing of a Madonna and her child and the painting "Cosmic Madonna", finished in 1958. At Salvador Dalí's house, Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • Salvador Dalí sits on one of the chairs which he has decorated with wooden branches swept in from the sea. Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • Salvador Dalí works on his experiments with the sea urchin holding a swan feather in its mouth. He sits in front of his painting "Taula davant el mar (Table in front of the Sea) Homage to Eric Satie". Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salavador Salvador Dalí poses with some objects he has used in the study of the "oursin" (sea urchin) to help him in his efforts to obtain a painting done by a sea urchin using a swans's feather or a dry flower in the urchin's mouth. The two display boards show sea urchin fossiles. Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salvador Dalí shows the set up from which he hopes to obtain the painting, a sea urchin is placed on a small chair and in its mouth, the "Aristotle's lantern", he puts a swan’s feather or other light object. The swan’s feather (he owns two swans which swim around in the sea in front of his home at Port Lligat) is allowed to slightly touch a sheet of blackened paper. The movements then made by the "oursin" are traced on the paper. At Salvador Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salvador Dalí works on his experiments with the sea urchin holding a swan feather or a dry flower and moving backwards and forewards thus marking the blackened paper. These experiments he is carrying out at his studio in his Spanish home at Portlligat, Cadaqués on the Costa Brava 1957. - Photo by Edward Quinn
  • Salvador Dalí works on his experiments with the sea urchin he calls Sputnik holding a dried flower and moving backwards and forewards thus marking the blackened paper. These experiments he is carrying out at his studio in his Spanish home at Portlligat, Cadaqués on the Costa Brava 1957. - Photo by Edward Quinn
  • Salvador Dalí shows the set up from which he hopes to obtain the painting, a sea urchin is placed on an overturned inkwell glass and in its mouth, the"Aristotle's lantern", which has the movements of a human hand) he puts a swan’s feather or here a light dried up flower. The object is allowed to slightly touch a sheet of blackened paper. The movements then made by the sea urchin are traced on the paper. At Salvador Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Alberto Magnelli at his studio La Ferrage, Plan-de-Grasse 1957. - Photo by Edward Quinn
  • Alberto Magnelli at his studio La Ferrage, Plan-de-Grasse 1957. - Photo by Edward Quinn
  • Alberto Magnelli at his studio La Ferrage, Plan-de-Grasse 1957. - Photo by Edward Quinn
  • Alberto Magnelli at his studio La Ferrage, Plan-de-Grasse 1957. - Photo by Edward Quinn
  • Alberto Magnelli at his studio La Ferrage, Plan-de-Grasse 1957. - Photo by Edward Quinn