The Edward Quinn Archive

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A total of 273 images have been found for the keyword «ArtistsPortrait».

  • Max Ernst at his home in Seillans 1966. - Photo by Edward Quinn
  • Max Ernst. Behind him the painting "Tremblement de terre printanier". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst. Behind him the painting "Tremblement de terre printanier". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst. Behind him the painting "Tremblement de terre printanier". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst. Behind him the painting "Tremblement de terre printanier". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst. Behind him the painting "Tremblement de terre printanier". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst. Behind him the painting "Tremblement de terre printanier". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst. Behind him the painting "Tremblement de terre printanier". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst. Behind him the painting "Tremblement de terre printanier". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst. Behind him the painting "Tremblement de terre printanier". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst. Behind him the painting "Tremblement de terre printanier". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst. Behind him the painting "Tremblement de terre printanier". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst. Behind him the painting "Tremblement de terre printanier". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst. Behind him the painting "Tremblement de terre printanier". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst, Dorothea Tanning and their dog in the garden of their home with "La fête à Seillans". Seillans 1966. - Photo by Edward Quinn
  • Yaakov Agam, Israeli artist, leading exponent of optical and kinetic art at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. On the wall an African mask from Côte d'Ivoire. - Photo by Edward Quinn
  • Max Ernst at his apartment, rue de Lille 19, Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his apartment, rue de Lille 19, Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst at his studio in Paris 1974. - Photo by Edward Quinn
  • Max Ernst with his smock on the easel. Paris 1974. - Photo by Edward Quinn
  • Max Ernst at the opening of the exhibition "Dorothea Tanning: Oeuvre", Centre National d'Art Contemporain CNAC, Paris, May 1974. - Photo by Edward Quinn
  • Max Ernst and Michel Guy (French ministre de la culture) at the opening of the exhibition "Dorothea Tanning: Oeuvre" (retrospective), Centre National d'Art Contemporain CNAC, Paris, May 28 - July 8, 1974. Behind him "Far From" 1964. by Dorothea Tanning - Photo by Edward Quinn
  • Jesús Rafael Soto, Venezuelan artist working in the fields of Op-art and kinetic art, a sculptor and a painter. Paris 1974. - Photo by Edward Quinn
  • Jesús Rafael Soto, Venezuelan artist working in the fields of Op-art and kinetic art, a sculptor and a painter. Paris 1974. - Photo by Edward Quinn
  • Jesús Rafael Soto, Venezuelan artist working in the fields of Op-art and kinetic art, a sculptor and a painter. Paris 1974. - Photo by Edward Quinn
  • Jesús Rafael Soto, Venezuelan artist working in the fields of Op-art and kinetic art, a sculptor and a painter. Paris 1974. - Photo by Edward Quinn
  • Graham Sutherland at La Villa Blanche. Menton 1974. - Photo by Edward Quinn
  • Graham Sutherland at La Villa Blanche. Menton 1974. - Photo by Edward Quinn
  • Graham Sutherland at La Villa Blanche. Menton 1974. - Photo by Edward Quinn
  • Graham Sutherland at La Villa Blanche. Menton 1974. - Photo by Edward Quinn
  • Graham Sutherland at La Villa Blanche. Menton 1974. - Photo by Edward Quinn
  • Graham Sutherland at La Villa Blanche. Menton 1974. Contact print - Photo by Edward Quinn
  • Jean-Pierre Vasarely, professionally known as Yvaral, was a French artist working in the fields of Op-art and kinetic art from 1954 onwards. He was the son of Victor Vasarely. Paris 1974. - Photo by Edward Quinn
  • Richard Paul Lohse, one of the main representatives of the concrete and constructive art movements, 1975 at his studio in Zurich. - Photo by Edward Quinn
  • Richard Paul Lohse, one of the main representatives of the concrete and constructive art movements, 1975 at his studio in Zurich. - Photo by Edward Quinn
  • Richard Paul Lohse, one of the main representatives of the concrete and constructive art movements, 1975 at his studio in Zurich. - Photo by Edward Quinn
  • Richard Paul Lohse, one of the main representatives of the concrete and constructive art movements, 1975 at his studio in Zurich. - Photo by Edward Quinn
  • Richard Paul Lohse, one of the main representatives of the concrete and constructive art movements, 1975 at his studio in Zurich. - Photo by Edward Quinn