The Edward Quinn Archive

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A total of 1615 images have been found for the keyword «AtWork».

  • Pablo Picasso working on "La Célestine" where he had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso working on "La Célestine" where he had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso working on "La Célestine" where he had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Tête de femme" with colored ink. He had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso preparing his painting utensils. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Henri-Georges Clouzot. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso preparing his painting utensils observed by participants of a studio tour. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Picasso during filming of "Le mystère Picasso" ("The Mystery of Picasso") by Henri-Georges Clouzot. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work, Henri-Georges Clouzot in the background. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Henri-Georges Clouzot. Large signature second version. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Henri-Georges Clouzot. "Le mystère Picasso”, Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Henri-Georges Clouzot and Pablo Picasso. Large signature second version. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso before doing large signature second version. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. Large signature second version. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. Large signature second version. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. Large signature third version (used in the film). "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. During filming of "Le mystère Picasso", documentary. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. During filming of "Le mystère Picasso". Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso fixing the charcoal in the painting "Femme nue allongé [Grand nu allongé]". Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso fixing the charcoal in the painting "Femme nue allongé [Grand nu allongé]". Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso fixing the charcoal in the painting "Femme nue allongé [Grand nu allongé]". Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso fixing the charcoal in the painting "Femme nue allongé [Grand nu allongé]". Nice, Studios de la Victorine 1955. - Photo by Edward Quinn