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A total of 407 images have been found for the keyword «BullfightArt».

  • A studio at La Californie, Cannes 1960. - Photo by Edward Quinn
  • A studio at La Californie, Cannes 1960. - Photo by Edward Quinn
  • A studio at La Californie, Cannes - Photo by Edward Quinn
  • The original linoblock of "Picador, Femme et cheval" in the garden of linoprinter Arnéra. The original linocut block of Pablo Picasso relished the difficulty involved in gouging the resilient linoleum and tried to get flowing, harmonious lines. Vallauris 1960. - Photo by Edward Quinn
  • The original linoblock of "Picador, Femme et cheval" in the garden of linoprinter Arnéra. The original linocut block of Pablo Picasso relished the difficulty involved in gouging the resilient linoleum and tried to get flowing, harmonious lines. Vallauris 1960. - Photo by Edward Quinn
  • The original linoblock of "Picador, Femme et cheval" in the garden of the printerArnéra. The original linocut block of Pablo Picasso relished the difficulty involved in gouging the resilient linoleum and tried to get flowing, harmonious lines. Vallauris 1960. - Photo by Edward Quinn
  • The original linoblock of "Picador, Femme et cheval" in the garden of the printerArnéra. The original linocut block of Pablo Picasso relished the difficulty involved in gouging the resilient linoleum and tried to get flowing, harmonious lines. Vallauris 1960. - Photo by Edward Quinn
  • A stereotype mold ("flong") of a newspaper page ("Le Patriote") with inserts by Pablo Picasso, probably made with an intermediate plaster stage. Vallauris 1960. - Photo by Edward Quinn
  • A stereotype mold ("flong") of a newspaper page ("Le Patriote") with inserts by Pablo Picasso, probably made with an intermediate plaster stage. Vallauris 1960. - Photo by Edward Quinn
  • A stereotype mold ("flong") of a newspaper page ("Le Patriote") with inserts by Pablo Picasso, probably made with an intermediate plaster stage. Vallauris 1960. - Photo by Edward Quinn
  • A stereotype mold ("flong") of a newspaper page ("Le Patriote") with inserts by Pablo Picasso, probably made with an intermediate plaster stage. Vallauris 1960. - Photo by Edward Quinn
  • A stereotype mold ("flong") of a newspaper page ("Le Patriote") with inserts by Pablo Picasso, probably made with an intermediate plaster stage. Printer Hidalgo Arnéra at his press, Vallauris 1960. - Photo by Edward Quinn
  • A stereotype mold ("flong") of a newspaper page ("Le Patriote") with inserts by Pablo Picasso, probably made with an intermediate plaster stage. Printer Hidalgo Arnéra at his press, Vallauris 1960. - Photo by Edward Quinn
  • Pablo Picasso at La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with a glass object of Egidio Costantini de la Fucina Degli Angeli (see Pic531407, MPParis:1950.4.1). A table by Joseph-Marius Tiola in the background. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with a glass object of Egidio Costantini de la Fucina Degli Angeli (see Pic531407, MPParis:1950.4.1). La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso painting on a glass object of Egidio Costantini de la Fucina Degli Angeli (see Pic531407, MPParis:1950.4.1), see ( "Nature morte au compotier et au vase", 1950. MPP:1950.4.1). La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline viewing photos by Edward Quinn (Pic610195), which the latter brought as a gift. Jacqueline is wearing a blouse made from a textile designed by Pablo Picasso. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline viewing photos by Edward Quinn (Pic610195) which the latter brought as a gift. Jacqueline is wearing a blouse made from a textile designed by Pablo PicassoLa Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with his Dalmatian Perro. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with his Dalmatian Perro. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with his Dalmatian Perro. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with his Dalmatian Perro. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso at La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso at La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso at La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso at La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with dachshund Lump. A Ripolin can behind him. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with Georges Tabaraud (editor of "Le Patriote", a french communist daily Newspaper). Pablo Picasso reading a book on himself. Ripolin can in the background on a table by Joseph-Marius Tiola. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso viewing a book on himself. Ripolin can on a table by Joseph-Marius Tiola in the background. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso at La Californie, Cannes 1960 - Photo by Edward Quinn
  • Pablo Picasso viewing litho "Le repos du faune". La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and his printer Aldo Crommelynck. on a table by Joseph-Marius Tiola. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso signing Rimbaud litho. With Henri Matarasso and his niece. Dogs Perro and Lump. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso signing Rimbaud litho. With Henri Matarasso and his niece. Dogs Perro and Lump. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso signing Rimbaud litho. With Henri Matarasso and his niece. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso signing Rimbaud litho. With Henri Matarasso and his niece. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso signing Rimbaud litho. With Henri Matarasso's niece. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso after signing his lithograph of Rimbaud. With a Ripolin can. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso after signing his lithograph of Rimbaud. With a Ripolin can. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso after signing his lithograph of Rimbaud. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and Henri Matarasso, gallery owner and publisher, checking the etching "La Minotauromachie". La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and Henri Matarasso, gallery owner and publisher, checking the etching "La Minotauromachie". La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and Henri Matarasso, gallery owner and publisher, checking the etching "La Minotauromachie". La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and Henri Matarasso, gallery owner and publisher, checking the etching "La Minotauromachie". La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and Henri Matarasso, gallery owner and publisher, checking the etching "La Minotauromachie". La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and Henri Matarasso, gallery owner and publisher, checking the etching "La Minotauromachie". La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and the assistant (?) of Henri Matarasso, gallery owner and publisher, checking the etching "La Minotauromachie". La Californie, Cannes 1961. - Photo by Edward Quinn
  • The etching "La Minotauromachie". La Californie, Cannes 1961. - Photo by Edward Quinn
  • La Californie, Cannes 1961. - Photo by Edward Quinn
  • "Couverture (Luis Miguel Dominguin, Toros y Toreros)", 1961. La Californie 1961. - Photo by Edward Quinn
  • Pablo Picasso at Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso at Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso and the printer Hidalgo Arnéra. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Ceramic photographed 1972 by Quinn for the book: Ramié, Georges. "Céramique de Pablo Picasso", Cercle d'art, Paris 1974. - Photo by Edward Quinn
  • Ceramic photographed 1972 by Quinn for the book: Ramié, Georges. "Céramique de Pablo Picasso", Cercle d'art, Paris 1974. - Photo by Edward Quinn
  • Ceramic photographed 1972 by Quinn for the book: Ramié, Georges. "Céramique de Pablo Picasso", Cercle d'art, Paris 1974. - Photo by Edward Quinn