The Edward Quinn Archive

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A total of 400 images have been found for the keyword «Camera».

  • Edward Quinn as "Eddy Quinero, le célèbre guitariste électrique". Monaco, about 1948. - Photo by Edward Quinn
  • Edward Quinn photographs Beauty queen and model Myriam Bru,"Miss Cannes" and "Miss Côte d’Azur" who later married German actor Horst Buchholz and became fashion model agent. Juan-les-Pins 1951. Contact prints. Photos from original negatives available. - Photo by Edward Quinn
  • Edward Quinn photographs beauty queen and model Myriam Bru, "Miss Cannes" and "Miss Côte d’Azur", who later married German actor Horst Buchholz and became fashion model agent. Juan-les-Pins 1951. - Photo by Edward Quinn
  • Edward Quinn photographs beauty queen and model Myriam Bru, "Miss Cannes" and "Miss Côte d’Azur", who later married German actor Horst Buchholz and became fashion model agent. Juan-les-Pins 1951. - Photo by Edward Quinn
  • The film set of "Nous irons à Monte Carlo" (We're Going to Monte Carlo), French version of Monte Carlo Baby. With Audrey Hepburn and Cara Williams. Monaco 1951. - Photo by Edward Quinn
  • The film set of "Nous irons à Monte Carlo" (We're Going to Monte Carlo), French version of Monte Carlo Baby. With Audrey Hepburn and Cara Williams. Monaco 1951. - Photo by Edward Quinn
  • Aly Khan at the summer ceramic exhibition "Japon. Céramique contemporaine" at the Nérolium. Vallauris July 21 1951. - Photo by Edward Quinn
  • Edward Quinn and a friend. Clews Museum, La Napoule 1951. Quinn's car: Mathis Type PYC 1931 or 1932 cabriolet - Photo by Edward Quinn
  • Edward Quinn with his Rolleiflex 3.5 A, autoportrait, Nice 1951. - Photo by Edward Quinn
  • Edward and Gret Quinn near Arles 1951. Car: Quinn's Mathis Type PYC 1931 or 1932 cabriolet - Photo by Edward Quinn
  • Arletty. Cannes Film Festival 1953. - Photo by Edward Quinn
  • Jean Cocteau, Cannes Film Festival. Cannes 1953. - Photo by Edward Quinn
  • A ceramic figurine of a catalan woman on a shelf in Pablo Picasso’s house La Galloise, Vallauris 16.4.1953. (see also photo of a catalan woman like Pic530202). With the Rolleiflex of Edward Quinn. - Photo by Edward Quinn
  • Pablo Picasso working on "Tête d'homme" during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • During filming of "Pablo Picasso", director Luciano Emmer, cameraman Giulio Gianini. Pablo Picasso behind the camera. With a statue of St-Claude Picasso, the patron saint of the potters, whose name was given to his younger son. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • During filming of "Pablo Picasso". Pablo Picasso and cameraman Giulio Gianini. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • During filming of "Pablo Picasso", director Luciano Emmer, cameraman Giulio Gianini and Pablo Picasso. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • During filming of "Pablo Picasso", director Luciano Emmer, cameraman Giulio Gianini (left) and Pablo Picasso. With a statue of St-Claude Picasso, the patron saint of the potters, whose name was given to his younger son. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • During filming of "Pablo Picasso", director Luciano Emmer and Pablo Picasso. With a statue of St-Claude Picasso, the patron saint of the potters, whose name was given to his younger son. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso using a sharp instrument to scrape the surface of a clay plate as he designs a portrait. During filming of "Pablo Picasso", director Luciano Emmer, (left) and Pablo Picasso. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso at Madoura pottery during filming of "Pablo Picasso", left director Luciano Emmer. Vallauris 15.10.1953. - Photo by Edward Quinn
  • Pablo Picasso using a sharp instrument to scrape the surface of a clay plate as he designs a portrait. During filming of "Pablo Picasso", director Luciano Emmer, (left) and Pablo Picasso. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso using a sharp instrument to scrape the surface of a clay plate as he designs a portrait. During filming of "Pablo Picasso", director Luciano Emmer, (left) and Pablo Picasso. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso using a sharp instrument to scrape the surface of a clay plate as he designs a portrait. During filming of "Pablo Picasso", director Luciano Emmer, (left) and Pablo Picasso. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso using a sharp instrument to scrape the surface of a clay plate as he designs a portrait. During filming of "Pablo Picasso", director Luciano Emmer, (left) and Pablo Picasso. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso using a sharp instrument to scrape the surface of a clay plate as he designs a portrait. During filming of "Pablo Picasso", director Luciano Emmer, (left) and Pablo Picasso. With a statue of St-Claude Picasso, the patron saint of the potters, whose name was given to his younger son. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Luciano Emmer explaining Pablo Picasso his camera. During filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso during filming of "Pablo Picasso", directed by Luciano Emmer. With a statue of St-Claude Picasso, the patron saint of the potters, whose name was given to his younger son. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • During filming of "Pablo Picasso", directed by Luciano Emmer. With a statue of St-Claude Picasso, the patron saint of the potters, whose name was given to his younger son. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso working on first version of plate of a woman (Irène Rignault, Madame X), during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso and Luciano Emmer during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso, Luciano Emmer and cameraman Giulio Gianini during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso working on first version of plate of a woman (Irène Rignault, Madame X), during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso would sometimes squeeze a vase before the clay had hardened, molding it into a representational shape. "To give it life," he once said, "I have to wring its neck." Delighted that he could make the clay respond to any fantasy that passed through his mind, he shaped mythologicat figures such as fauns and satyrs, as well as vases representing graceful women, bulls, goats, fish, and above all, owls and doves. Here Pablo Picasso is working on small bird sculpture, Luciano Emmer film. Madoura pottery, Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Luciano Emmer, unknown boy and Pablo Picasso. Madoura pottery, Luciano Emmer film. Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Luciano Emmer (left) and Pablo Picasso. Madoura pottery, Luciano Emmer film. Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Pablo Picasso and Irène Rignault (Madame X). Madoura pottery, Vallauris, 14./15.10.1953. (see plate Pic530717) - Photo by Edward Quinn
  • Pablo Picasso checking a camera angle during filming of Luciano Emmer's documentary. Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso checking a camera angle (documentary film of Luciano Emmer). With Madame Paule de Lazerme (she had an affair with Pablo Picasso for some months) who wears a necklace designed by Pablo Picasso. In front of the studio Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso checking a camera angle (documentary film of Luciano Emmer). With Paulo Picasso and Madame Paule de Lazerme (she had an affair with Pablo Picasso for some months) who wears a necklace designed by Pablo Picasso. Two not yet identified persons. In front of the studio Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso checking a camera angle (documentary film of Luciano Emmer). With Paulo Picasso and Madame Paule de Lazerme (she had an affair with Pablo Picasso for some months) who wears a necklace designed by Pablo Picasso. In front of the studio Le Fournas, Vallauris 1953. Jaeger-LeCoultre Triple Date Moonphase - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso checking a camera angle during working on the "War and Peace study" drawings on the wall of Chapelle de la Paix for the documentary film of Luciano Emmer. (The panels of War and Peace of 1952 were away on exhibition). Vallauris 1953. - Photo by Edward Quinn
  • Edward Quinn with his Leica IIIf at his home in Nice 1953. - Photo by Edward Quinn
  • Edward Quinn with his Leica IIIf at his home in Nice 1953. - Photo by Edward Quinn
  • N° 318 Stirling Moss, Desmond Scannell, John Cooper (from left) on Sunbeam Talbot 90, 6th. Monte Carlo Rally 1953. - Photo by Edward Quinn
  • N° 318 Stirling Moss on Sunbeam Talbot 90, 6th. Monte Carlo Rally 1953. - Photo by Edward Quinn
  • N° 318 Stirling Moss on Sunbeam Talbot 90, 6th. Monte Carlo Rally 1953. - Photo by Edward Quinn
  • N° 318 Stirling Moss, Desmond Scannell, John Cooper on Sunbeam Talbot 90, 6th. Photographed on arrival at Monte Carlo Rally 1953. - Photo by Edward Quinn
  • N° 318 Desmond Scannell, Stirling Moss, John Cooper (from left) on Sunbeam Talbot 90, 6th. Monte Carlo Rally 1953. - Photo by Edward Quinn
  • N° 318 Stirling Moss and Desmond Scannell on Sunbeam Talbot 90, 6th. Monte Carlo Rally 1953. - Photo by Edward Quinn
  • N° 318 Stirling Moss and Desmond Scannell on Sunbeam Talbot 90, 6th. Monte Carlo Rally 1953. - Photo by Edward Quinn
  • N° 318 Desmond Scannell, Stirling Moss, John Cooper (from left) on Sunbeam Talbot 90, 6th. Monte Carlo Rally 1953. - Photo by Edward Quinn
  • N° 318 Stirling Moss, John Cooper on Sunbeam Talbot 90, 6th. Monte Carlo Rally 1953. - Photo by Edward Quinn
  • Director Jean Renoir checks a camera angle. Place unknown, early '50s. - Photo by Edward Quinn
  • Jeanne Crain, co-star of Jane Russell in the film "Gentlemen Marry Brunettes". On the right a Monégasque policeman on duty. Monaco 1954. Car: 1954. Mercedes-Benz 300 SL Coupé - Photo by Edward Quinn
  • Alfred Hitchcock taking photos. Cannes 1954. - Photo by Edward Quinn
  • Grace Kelly and Cary Grant on the film set of "To Catch a Thief". Cannes 1954. - Photo by Edward Quinn
  • Monaco Palais 1954. Very far on the right: Edward Quinn with his Rolleiflex. - Photo by Edward Quinn
  • Françoise Gilot with a not yet identified person. Restaurant Chez Tetou. Golfe-Juan 1954. - Photo by Edward Quinn