The Edward Quinn Archive

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A total of 521 images have been found for the keyword «FilmSet».

  • Henri-Georges Clouzot during filming of "Le mystère Picasso". Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Gregory Peck with two female admirers at the harbor in Villefranche-sur-Mer, where he was on location, playing the leading role in Captain Horatio Hornblower, Villefranche s/Mer 1950 - Photo by Edward Quinn
  • The film set of "Nous irons à Monte Carlo" (We're Going to Monte Carlo), French version of Monte Carlo Baby. With Audrey Hepburn and Cara Williams. Monaco 1951. - Photo by Edward Quinn
  • The film set of "Nous irons à Monte Carlo" (We're Going to Monte Carlo), French version of Monte Carlo Baby. With Audrey Hepburn and Cara Williams. Monaco 1951. - Photo by Edward Quinn
  • Actors Glenn Ford and Geraldine Brooks enjoy the company of two donkeys during filming of "The Green Glove". Nice 1951. - Photo by Edward Quinn
  • Audrey Hepburn and Cara Williams during filming of "Monte Carlo Baby". Monte Carlo 1951. - Photo by Edward Quinn
  • Audrey Hepburn (with white hat) during filming of "Monte Carlo Baby". Hotel de Paris, Monte Carlo 1951. - Photo by Edward Quinn
  • Audrey Hepburn (on the left with white hat) during filming of "Monte Carlo Baby" (french version: "Nous irons à Monte Carlo"). Hotel de Paris, Monte Carlo 1951. Wikipedia "It featured an early performance by Audrey Hepburn playing a spoiled actress. Most Hepburn biographies indicate that it was during the filming of this movie that Hepburn was first discovered by the playwright Colette and chosen for the lead role in the play Gigi, which would lead to Hepburn launching her acting career in Hollywood." - Photo by Edward Quinn
  • The film set of "Nous irons à Monte Carlo" (We're Going to Monte Carlo), French version of "Monte Carlo Baby". With Audrey Hepburn and Cara Williams. Monaco 1951. - Photo by Edward Quinn
  • The film set of "Nous irons à Monte Carlo" (We're Going to Monte Carlo), French version of "Monte Carlo Baby". With Audrey Hepburn and Cara Williams. Monaco 1951. - Photo by Edward Quinn
  • The film set of "Nous irons à Monte Carlo" (We're Going to Monte Carlo), French version of "Monte Carlo Baby". With Audrey Hepburn and Cara Williams. Monaco 1951. - Photo by Edward Quinn
  • Audrey Hepburn and the French actor and dancer Edmond Audran, husband of Ludmilla Tcherina. Monte Carlo 1951. - Photo by Edward Quinn
  • Audrey Hepburn and the French actor and dancer Edmond Audran, husband of Ludmilla Tcherina. Monte Carlo 1951. - Photo by Edward Quinn
  • Audrey Hepburn and the French actor and dancer Edmond Audran, husband of Ludmilla Tcherina. Monte Carlo 1951. - Photo by Edward Quinn
  • Audrey Hepburn and the French actor and dancer Edmond Audran, husband of Ludmilla Tcherina. Monte Carlo 1951. - Photo by Edward Quinn
  • Audrey Hepburn and the French actor and dancer Edmond Audran, husband of Ludmilla Tcherina. Monte Carlo 1951. - Photo by Edward Quinn
  • Audrey Hepburn and the French actor and dancer Edmond Audran, husband of Ludmilla Tcherina, looking at the bust of the french composer Jules Massenet in front of the Grande Salle Garnier, th opera house. Monte Carlo 1951. - Photo by Edward Quinn
  • Audrey Hepburn and the French actor and dancer Edmond Audran, husband of Ludmilla Tcherina. Monte Carlo 1951. - Photo by Edward Quinn
  • Audrey Hepburn and the French actor and dancer Edmond Audran, husband of Ludmilla Tcherina. Monte Carlo 1951. - Photo by Edward Quinn
  • Brigitte Bardot during filming of "Manina, la fille sans voiles" on the yacht Suraya. With film director Willy Rozier, Jean-François Calvé and British actor Howard Vernon. Villefranche harbor 1952. - Photo by Edward Quinn
  • Brigitte Bardot during filming of "Manina, la fille sans voiles" on the yacht Suraya. Villefranche harbor 1952. - Photo by Edward Quinn
  • Brigitte Bardot during filming of "Manina, la fille sans voiles" on the yacht Suraya. Villefranche harbor 1952. - Photo by Edward Quinn
  • Brigitte Bardot and Jean-François Calvé during filming of "Manina, la fille sans voiles" on the yacht Suraya. Villefranche harbor 1952. - Photo by Edward Quinn
  • Pablo Picasso working on "Tête d'homme" during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • During filming of "Pablo Picasso", director Luciano Emmer, cameraman Giulio Gianini. Pablo Picasso behind the camera. With a statue of St-Claude Picasso, the patron saint of the potters, whose name was given to his younger son. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • During filming of "Pablo Picasso". Pablo Picasso and cameraman Giulio Gianini. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • During filming of "Pablo Picasso", director Luciano Emmer, cameraman Giulio Gianini and Pablo Picasso. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • During filming of "Pablo Picasso", director Luciano Emmer, cameraman Giulio Gianini (left) and Pablo Picasso. With a statue of St-Claude Picasso, the patron saint of the potters, whose name was given to his younger son. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • During filming of "Pablo Picasso", director Luciano Emmer and Pablo Picasso. With a statue of St-Claude Picasso, the patron saint of the potters, whose name was given to his younger son. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso using a sharp instrument to scrape the surface of a clay plate as he designs a portrait. During filming of "Pablo Picasso", director Luciano Emmer, (left) and Pablo Picasso. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso at Madoura pottery during filming of "Pablo Picasso", left director Luciano Emmer. Vallauris 15.10.1953. - Photo by Edward Quinn
  • Pablo Picasso using a sharp instrument to scrape the surface of a clay plate as he designs a portrait. During filming of "Pablo Picasso", director Luciano Emmer, (left) and Pablo Picasso. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso using a sharp instrument to scrape the surface of a clay plate as he designs a portrait. During filming of "Pablo Picasso", director Luciano Emmer, (left) and Pablo Picasso. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso using a sharp instrument to scrape the surface of a clay plate as he designs a portrait. During filming of "Pablo Picasso", director Luciano Emmer, (left) and Pablo Picasso. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso using a sharp instrument to scrape the surface of a clay plate as he designs a portrait. During filming of "Pablo Picasso", director Luciano Emmer, (left) and Pablo Picasso. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso using a sharp instrument to scrape the surface of a clay plate as he designs a portrait. During filming of "Pablo Picasso", director Luciano Emmer, (left) and Pablo Picasso. With a statue of St-Claude Picasso, the patron saint of the potters, whose name was given to his younger son. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Luciano Emmer explaining Pablo Picasso his camera. During filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso during filming of "Pablo Picasso", directed by Luciano Emmer. With a statue of St-Claude Picasso, the patron saint of the potters, whose name was given to his younger son. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • During filming of "Pablo Picasso", directed by Luciano Emmer. With a statue of St-Claude Picasso, the patron saint of the potters, whose name was given to his younger son. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso working on first version of plate of a woman (Irène Rignault, Madame X), during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso and Luciano Emmer during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso, Luciano Emmer and cameraman Giulio Gianini during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso would sometimes squeeze a vase before the clay had hardened, molding it into a representational shape. "To give it life," he once said, "I have to wring its neck." Delighted that he could make the clay respond to any fantasy that passed through his mind, he shaped mythologicat figures such as fauns and satyrs, as well as vases representing graceful women, bulls, goats, fish, and above all, owls and doves. Here Pablo Picasso is working on small bird sculpture, Luciano Emmer film. Madoura pottery, Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Luciano Emmer, unknown boy and Pablo Picasso. Madoura pottery, Luciano Emmer film. Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Luciano Emmer (left) and Pablo Picasso. Madoura pottery, Luciano Emmer film. Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Pablo Picasso and Irène Rignault (Madame X). Madoura pottery, Vallauris, 14./15.10.1953. (see plate Pic530717) - Photo by Edward Quinn
  • Pablo Picasso checking a camera angle during filming of Luciano Emmer's documentary. Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Clapperboard for the documatary "Pablo Picasso" directed by Luciano Emmer. Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso checking a camera angle (documentary film of Luciano Emmer). With Madame Paule de Lazerme (she had an affair with Pablo Picasso for some months) who wears a necklace designed by Pablo Picasso. In front of the studio Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso checking a camera angle (documentary film of Luciano Emmer). With Paulo Picasso and Madame Paule de Lazerme (she had an affair with Pablo Picasso for some months) who wears a necklace designed by Pablo Picasso. Two not yet identified persons. In front of the studio Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso checking a camera angle (documentary film of Luciano Emmer). With Paulo Picasso and Madame Paule de Lazerme (she had an affair with Pablo Picasso for some months) who wears a necklace designed by Pablo Picasso. In front of the studio Le Fournas, Vallauris 1953. Jaeger-LeCoultre Triple Date Moonphase - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Clapperboard for the film directed by Luciano Emmer. Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Clapperboard for the film directed by Luciano Emmer. Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas. Luciano Emmer Film. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas. Luciano Emmer's documentary. Vallauris 26 June 1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn