The Edward Quinn Archive

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A total of 1402 images have been found for the keyword «Hats».

  • Salvador Dalí shows the set up from which he hopes to obtain the painting, a sea urchin is placed on an overturned inkwell glass and in its mouth, the"Aristotle's lantern", he puts a swan’s feather or here a light dried up flower. The object is allowed to slightly touch a sheet of blackened paper. The movements then made by the sea urchin are traced on the paper. At Salvador Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salvador Dalí shows the set up from which he hopes to obtain a painting: A sea urchin is placed on an overturned inkwell glass and in its mouth, the "Aristotle's lantern", he puts a swan’s feather or here a light dried up flower. The object is allowed to slightly touch a sheet of blackened paper. The movements then made by the sea urchin are traced on the paper. The display board shows a sea urchin fossile. At Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salvador Dalí demonstrates the origin of the "oursin", a liquid which takes on a particular form. Here he is seen using milk and water. The display board shows a sea urchin fossile. At Salvador Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salvador Dalí demonstrates the origin of the "oursin", a liquid which takes on a particular form. Here he is seen using milk and water. At Salvador Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salvador Dalí demonstrates the origin of the "oursin", a liquid which takes on a particular form. Here he is seen using milk and water. At Salvador Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salvador Dalí demonstrates his Canadian painter friend Philips the origin of the "oursin", a liquid which takes on a particular form. Here he is seen using milk and water. At Salvador Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Dalí demonstrates his Canadian painter friend Philips the origin of the "oursin", a liquid which takes on a particular form. Here he is seen using milk and water. At Salvador Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salvador Dalí demonstrates the origin of the "oursin", a liquid which takes on a particular form. Here he is seen using milk and water. The display board shows a sea urchin fossile. At Salvador Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salvador Dalí demonstrates his view of the origin of the sea urchin, a liquid which takes on a particular form. At Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salvador Dalí with his sea urchins. A swan's feather he puts in the sea urchin's mouth is allowed to slightly touch a sheet of blackened paper. The movements then made are traced on the paper. At Salvador Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Dalí demonstrates the origin of the "oursin", a liquid which takes on a particular form. Here he is seen using milk and water. At Salvador Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salvador Dalí demonstrates the origin of the "oursin", a liquid which takes on a particular form. Here he is seen using milk and water. At Salvador Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Lt. Sam Loggins (Frank Sinatra) and director Delmer Daves during the filming of "Kings Go Forth". Tourrettes-sur-Loup 1957. - Photo by Edward Quinn
  • Lt. Sam Loggins (Frank Sinatra) and director Delmer Daves during the filming of "Kings Go Forth". Tourrettes-sur-Loup 1957. - Photo by Edward Quinn
  • Lt. Sam Loggins (Frank Sinatra) and director Delmer Daves during the filming of "Kings Go Forth". Tourrettes-sur-Loup 1957. - Photo by Edward Quinn
  • Lt. Sam Loggins (Frank Sinatra) and director Delmer Daves during the filming of "Kings Go Forth". Villefranche 1957. Car: 1951 or 52 Jeep M38 - Photo by Edward Quinn
  • Diana Dors on U.S.S. Waller. On the left Tommy Yeardye, stuntman, her boyfriend. Cannes 1957. - Photo by Edward Quinn
  • T.S. Eliot and his wife Valerie newly married. Menton 1957. - Photo by Edward Quinn
  • Nobel prize winning poet T.S. Eliot and his wife Valerie, newly married. Hotel du Pin Doré, Menton 1957. - Photo by Edward Quinn
  • Nobel prize winning poet T.S. Eliot and his wife Valerie, newly married. Hotel du Pin Doré, Menton 1957. - Photo by Edward Quinn
  • Nobel prize winning poet T.S. Eliot and his wife Valerie, newly married. Hotel du Pin Doré, Menton 1957. - Photo by Edward Quinn
  • Nobel prize winning poet T.S. Eliot and his wife Valerie, newly married. Hotel du Pin Doré, Menton 1957. - Photo by Edward Quinn
  • Nobel prize winning poet T.S. Eliot and his wife Valerie, newly married. Menton 1957. - Photo by Edward Quinn
  • Nobel prize winning poet T.S. Eliot and his wife Valerie, newly married. Menton 1957. - Photo by Edward Quinn
  • Nobel prize winning poet T.S. Eliot and his wife Valerie, newly married. Menton 1957. - Photo by Edward Quinn
  • Nobel prize winning poet T.S. Eliot and his wife Valerie, newly married. Nice airport 1957. - Photo by Edward Quinn
  • Nobel prize winning poet T.S. Eliot and his wife Valerie, newly married. Nice airport 1957. - Photo by Edward Quinn
  • Nobel prize winning poet T.S. Eliot and his wife Valerie, newly married. Menton 1957. - Photo by Edward Quinn
  • Nobel prize winning poet T.S. Eliot and his wife Valerie, newly married. Menton 1957. - Photo by Edward Quinn
  • Nobel prize winning poet T.S. Eliot and his wife Valerie, newly married. Menton 1957. - Photo by Edward Quinn
  • Nobel prize winning poet T.S. Eliot and his wife Valerie, newly married. Menton 1957. - Photo by Edward Quinn
  • Nobel prize winning poet T.S. Eliot and his wife Valerie, newly married. Menton 1957. - Photo by Edward Quinn
  • Farouk, ex King of Egypt, with his daughter Princess Ferial. Cannes 1957. - Photo by Edward Quinn
  • Juan Manuel Fangio. Monaco Grand Prix 1957. - Photo by Edward Quinn
  • Juan Manuel Fangio, (32) Maserati 250F, winner of Monaco Grand Prix 1957. - Photo by Edward Quinn
  • Wolfgang Graf Berghe von Trips. Monaco Grand Prix 1957. - Photo by Edward Quinn
  • Juan Manuel Fangio, (32) Maserati 250F. Monaco Grand Prix 1957. - Photo by Edward Quinn
  • Arriving Princess Grace and Prince Rainier. Monaco Grand Prix 1957. - Photo by Edward Quinn
  • On the podium Princess Grace, Prince Rainier and Princess Antoinette. Monaco Grand Prix 1957. - Photo by Edward Quinn
  • Juan Manuel Fangio, (32) Maserati 250F, Wolfgang von Trips, (24) Ferrari 80I. With white hat Tony Vandervell, head of the Vanwall Formula One racing team. Monaco Grand Prix 1957. - Photo by Edward Quinn
  • Tony Brooks, (20) Vanwall VW7/V1. With white hat Tony Vandervell, head of the Vanwall Formula One racing team. Monaco Grand Prix 1957. - Photo by Edward Quinn
  • Stirling Moss and Tony Vandervell, head of the Vanwall Formula One racing team. Monaco Grand Prix 1957. - Photo by Edward Quinn
  • Stirling Moss and Tony Vandervell, head of the Vanwall Formula One racing team. Monaco Grand Prix 1957. - Photo by Edward Quinn
  • Stirling Moss and Tony Vandervell, head of the Vanwall Formula One racing team. Monaco Grand Prix 1957. - Photo by Edward Quinn
  • Stirling Moss and Tony Vandervell, head of the Vanwall Formula One racing team. Monaco Grand Prix 1957. - Photo by Edward Quinn
  • Mike Hawthorn and Tony Vandervell, head of the Vanwall Formula One racing team. Monaco Grand Prix 1957. - Photo by Edward Quinn
  • The winner of the race, Juan Manuel Fangio who received the cup of Princess Grace waves to the crowd. Monaco Grand Prix 1957. - Photo by Edward Quinn
  • Juan Manuel Fangio, winner of the race. Monaco Grand Prix 1957. - Photo by Edward Quinn
  • Charles Boyer, Curd Jürgens and Eva Bartok. Cannes Film Festival 1957. - Photo by Edward Quinn
  • Charles Boyer, Curd Jürgens and Eva Bartok. Cannes Film Festival 1957. - Photo by Edward Quinn
  • Charles Boyer, Georges Simenon, Curd Jürgens and Eva Bartok. Cannes Film Festival 1957. - Photo by Edward Quinn
  • Georges Simenon, Curd Jürgens and Eva Bartok. Cannes Film Festival 1957. - Photo by Edward Quinn
  • Georges Simenon, Curd Jürgens and Eva Bartok. Cannes Film Festival 1957. - Photo by Edward Quinn
  • Deborah Kerr and Jean Seberg, two of the principal actors of "Bonjour Tristesse", film by Otto Preminger. Le Lavandou 1957. - Photo by Edward Quinn
  • The Police of Nice is interested in Sophia Loren. Promenade des Anglais, in front of Hotel Negresco, Nice 1957. - Photo by Edward Quinn
  • The Police of Nice is interested in Sophia Loren. Promenade des Anglais, in front of Hotel Negresco, Nice 1957. - Photo by Edward Quinn
  • The Police of Nice is interested in Sophia Loren. Promenade des Anglais, in front of Hotel Negresco, Nice 1957. - Photo by Edward Quinn
  • Michèle Mercier (left) and Nadine Tallier (French actress who married Baron de Rothschild). Nice 1957. - Photo by Edward Quinn
  • Jeanne Moreau, Cannes Film Festival 1958. - Photo by Edward Quinn
  • David Niven and Otto Preminger on the occasion of filming "Bonjour Tristesse". Le Lavandou 1957. Car ? - Photo by Edward Quinn