The Edward Quinn Archive

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A total of 679 images have been found for the keyword «PaintingUtensils».

  • Amédée Ozenfant. Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on "Oeuf de pâques" with Caran d'ache wax oil pastels. In the forground a table by Joseph-Marius Tiola. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and Suzanne Ramié with invitation cards for the opening of an exhibition at La Galerie Madoura, 5 april 1961. Pablo Picasso working on "Oeuf de pâques" with Caran d'ache wax oil pastels. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and Suzanne Ramié with invitation cards for the opening of an exhibition at La Galerie Madoura, 5 april 1961. Pablo Picasso working on "Oeuf de pâques" with Caran d'ache wax oil pastels. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on "Oeuf de pâques" with Caran d'ache wax oil pastels. On the left invitation cards for the opening of an exhibition at La Galerie Madoura, 5 april 1961. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline with dachshund Ma Jolie. A table by Joseph-Marius Tiola on the left. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline. Jacqueline, sitting in a rocking chair, is wearing a blouse made from a textile designed by Pablo Picasso. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'Ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'Ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. here he has used an old drawing paper due to blot the wet gouache and examines the results with interest. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. here he has used an old drawing paper due to blot the wet gouache and examines the results with interest. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. Jacqueline is wearing a blouse made from a textile designed by Pablo Picasso. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'Ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. Jacqueline is wearing a blouse made from a textile designed by Pablo Picasso. Oj the left Suzanne rRmié. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. acqueline is wearing a blouse made from a textile designed by Pablo Picasso. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'Ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. Jacqueline is wearing a blouse made from a textile designed by Pablo Picasso. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso working on gouache with Caran d'ache wax oil pastels and water color. Pablo Picasso always liked surprises and in his work he encouraged unpredictable outcomes. Edouard Pignon, unknown man, Hélène Parmelin, Jacques Frélaut. A table by Joseph-Marius Tiola in the foreground. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso. Ripolin can. La Californie 1961. - Photo by Edward Quinn
  • Pablo Picasso and Catherine Hutin. Ripolin can. La Californie 1961. - Photo by Edward Quinn
  • Pablo Picasso and Catherine Hutin. With Ripolin can. A table by Joseph-Marius Tiola in the background. La Californie 1961. - Photo by Edward Quinn
  • Pablo Picasso with dachshund Lump. A Ripolin can behind him. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with Georges Tabaraud (editor of "Le Patriote", a french communist daily Newspaper). And a Ripolin can. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with Georges Tabaraud (editor of "Le Patriote", a french communist daily Newspaper). And a Ripolin can. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso. A Ripolin can behind him. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso and Catherine Hutin. And a Ripolin can. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso viewing a book on himself. Ripolin can in the background. With a Ripolin can. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso viewing a book on himself. A Ripolin can behind him on a table by Joseph-Marius Tiola. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with Georges Tabaraud (editor of "Le Patriote", a french communist daily Newspaper). Pablo Picasso reading a book on himself. Ripolin can in the background on a table by Joseph-Marius Tiola. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso viewing a book on himself. Ripolin can on a table by Joseph-Marius Tiola in the background. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso viewing a book on himself. Ripolin can in the background. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso puts a protective hand on the shoulder of his friend Manuel Pallarès i Grau. On the left Manuel Pallarès son René, behind Pablo Picasso Jacqueline. Pablo Picasso with a small Ripolin can. La Californie, Cannes 1961. - Photo by Edward Quinn
  • The proverbial disorder of the rooms in which Pablo Picasso works is unique. Beside the large pieces of sculpture in painted iron and plaster hang portraits of Jacqueline and Paloma Picasso surrounded by drawings, objects and notes pinned to the wall. La Californie, Cannes 1961. - Photo by Edward Quinn
  • A corner in La Californie (with a Ripolin can), Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with a Ripolin color can in the background. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with a Ripolin color can behind him. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with a Ripolin color can behid him. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with a Ripolin color can behid him. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Picasso and a Ripolin can. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso with a Ripolin color can behid him. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso after signing his lithograph of Rimbaud. With a Ripolin can. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso after signing his lithograph of Rimbaud. With a Ripolin can. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Pablo Picasso after signing his lithograph of Rimbaud. With a Ripolin can. La Californie, Cannes 1961. - Photo by Edward Quinn
  • Jean Cocteau and Raymond Moretti. Collective painting "L'Age du Verseau". Nice 1962. - Photo by Edward Quinn
  • Jean Cocteau and Raymond Moretti. Collective painting "L'Age du Verseau". Nice 1962. - Photo by Edward Quinn
  • Jean Cocteau and Raymond Moretti. Collective painting "L'Age du Verseau". Nice 1962. - Photo by Edward Quinn
  • Jean Cocteau and Raymond Moretti. Collective painting "L'Age du Verseau". Nice 1962. - Photo by Edward Quinn
  • Jean Cocteau and Raymond Moretti. Collective painting "L'Age du Verseau". Nice 1962. - Photo by Edward Quinn
  • Jean Cocteau and Raymond Moretti. Collective painting "L'Age du Verseau". Nice 1962. - Photo by Edward Quinn
  • Jean Cocteau and Raymond Moretti. Collective painting "L'Age du Verseau". Nice 1962. - Photo by Edward Quinn
  • Jean Cocteau and Raymond Moretti. Collective painting "L'Age du Verseau". Nice 1962. - Photo by Edward Quinn
  • Jean Cocteau and Raymond Moretti. Collective painting "L'Age du Verseau". Nice 1962. - Photo by Edward Quinn
  • Jean Cocteau and Raymond Moretti. Collective painting "L'Age du Verseau". Nice 1962. - Photo by Edward Quinn
  • Jean Cocteau and Raymond Moretti. Collective painting "L'Age du Verseau". Nice 1962. - Photo by Edward Quinn
  • Jean Cocteau and Raymond Moretti. Collective painting "L'Age du Verseau". Nice 1962. - Photo by Edward Quinn