The Edward Quinn Archive

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A total of 222 images have been found for the keyword «RockingChair».

  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Birthday of Jacqueline (24.2.66). Jacqueline, Spanish publisher Gustavo Gili and his wife, Anna Maria Torra Amat, Hélène Parmelin, Sylvie, nurse of Pablo Picasso with Quinn's book "Pablo Picasso à l'oeuvre". Signed and dedicated by Pablo Picasso and Quinn "To Sylvie with good wishes" 24.2.1966. Mas Notre-Dame-de-Vie, Mougins 1966. - Photo by Edward Quinn
  • Birthday of Jacqueline (24.2.66). Jacqueline, Spanish publisher Gustavo Gili and his wife, Anna Maria Torra Amat, Hélène Parmelin, Sylvie, nurse of Pablo Picasso with Quinn's book "Pablo Picasso à l'oeuvre". Mas Notre-Dame-de-Vie, Mougins 1966. - Photo by Edward Quinn
  • Birthday of Jacqueline (24.2.66). Jacqueline, Spanish publisher Gustavo Gili, Hélène Parmelin, Sylvie, nurse of Pablo Picasso with Quinn's book "Pablo Picasso à l'oeuvre". Signed and dedicated by Pablo Picasso and Quinn "To Sylvie with good wishes" 24.2.1966. Mas Notre-Dame-de-Vie, Mougins 1966. - Photo by Edward Quinn
  • Birthday of Jacqueline (24.2.66). Jacqueline, Spanish publisher Gustavo Gili, Hélène Parmelin, Sylvie, nurse of Pablo Picasso with Quinn's book "Pablo Picasso à l'oeuvre". Signed and dedicated by Pablo Picasso and Quinn "To Sylvie with good wishes" 24.2.1966. Mas Notre-Dame-de-Vie, Mougins 1966. - Photo by Edward Quinn
  • Birthday of Jacqueline (24.2.66). Jacqueline, Spanish publisher Gustavo Gili and his wife, Anna Maria Torra Amat, Quinn's book "Pablo Picasso à l'oeuvre". Mas Notre-Dame-de-Vie, Mougins 1966. - Photo by Edward Quinn
  • "Hommage à Pablo Picasso. Peintures", Exposition Galeries nationales du Grand Palais. 19.11.1966-12.2.1967 - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline. Mas Notre-Dame-de-Vie, Mougins 1967. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline. Mas Notre-Dame-de-Vie, Mougins 1967. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline. Mas Notre-Dame-de-Vie, Mougins 1967. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline. Mas Notre-Dame-de-Vie, Mougins 1967. - Photo by Edward Quinn
  • Pablo Picasso and his printer Piero Crommelynck. Mas Notre-Dame-de-Vie, Mougins 1967. - Photo by Edward Quinn
  • Pablo Picasso and his printer Piero Crommelynck. Mas Notre-Dame-de-Vie, Mougins 1967. - Photo by Edward Quinn
  • Pablo Picasso and his printer Piero Crommelynck. Mas Notre-Dame-de-Vie, Mougins 1967. - Photo by Edward Quinn
  • Pablo Picasso and his printer Piero Crommelynck. Mas Notre-Dame-de-Vie, Mougins 1967. - Photo by Edward Quinn
  • Pablo Picasso and his printer Piero Crommelynck. Mas Notre-Dame-de-Vie, Mougins 1967. - Photo by Edward Quinn
  • Pablo Picasso. Mas Notre-Dame-de-Vie, Mougins 1967. - Photo by Edward Quinn
  • Pablo Picasso and his printer Piero Crommelynck. Mas Notre-Dame-de-Vie, Mougins 1967. - Photo by Edward Quinn
  • Pablo Picasso. Mas Notre-Dame-de-Vie, Mougins 1967. - Photo by Edward Quinn
  • Pablo Picasso and his printer Piero Crommelynck. Mas Notre-Dame-de-Vie, Mougins 1967. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1969. - Photo by Edward Quinn
  • Pablo Picasso and Piero Crommelynck. Mas Notre-Dame-de-Vie, Mougins 1969. - Photo by Edward Quinn
  • Pablo Picasso and the wife of William Hartmann, architect who persuaded Pablo Picasso to create "Tête", the Chicago Civic Center Work (Chicago Pablo Picasso) at Chicago's Daley Plaza. Mas Notre-Dame-de-Vie, Mougins 1970. - Photo by Edward Quinn
  • Pablo Picasso, Jacqueline, not yet identified visitor. With William Hartmann, architect who persuaded Pablo Picasso to create "Tête", the Chicago Civic Center Work (Chicago Pablo Picasso) at Chicago's Daley Plaza. Mas Notre-Dame-de-Vie, Mougins 1970. - Photo by Edward Quinn
  • Pablo Picasso, Jacqueline, not yet identified visitor. With William Hartmann, architect who persuaded Pablo Picasso to create "Tête", the Chicago Civic Center Work (Chicago Pablo Picasso) at Chicago's Daley Plaza. Mas Notre-Dame-de-Vie, Mougins 1970. - Photo by Edward Quinn
  • Pablo Picasso, Jacqueline, not yet identified visitor. With William Hartmann, architect who persuaded Pablo Picasso to create "Tête", the Chicago Civic Center Work (Chicago Pablo Picasso) at Chicago's Daley Plaza. Mas Notre-Dame-de-Vie, Mougins 1970. - Photo by Edward Quinn
  • Pablo Picasso working on the etching "Les coulisses du tableau: odalisque et peintre", 1970. Mas Notre-Dame-de-Vie, Mougins 1970. This photo sequence was made during the making of Quinn’s film "Pablo Picasso l' homme et son oeuvre". "When Pablo Picasso was eighty-nine he asked Quinn to film him making a drypoint in order to demonstrate the steadiness of his hand". (Quinn in conversation with Marilyn McCully 1983) - Photo by Edward Quinn
  • Pablo Picasso working on the etching "Les coulisses du tableau: odalisque et peintre", 1970. Mas Notre-Dame-de-Vie, Mougins 1970. This photo sequence was made during the making of Quinn’s film "Pablo Picasso l' homme et son oeuvre". "When Pablo Picasso was eighty-nine he asked Quinn to film him making a drypoint in order to demonstrate the steadiness of his hand". (Quinn in conversation with Marilyn McCully 1983) - Photo by Edward Quinn
  • Pablo Picasso working on the etching "Les coulisses du tableau: odalisque et peintre", 1970. Mas Notre-Dame-de-Vie, Mougins 1970. This photo sequence was made during the making of Quinn’s film "Pablo Picasso l' homme et son oeuvre". "When Pablo Picasso was eighty-nine he asked Quinn to film him making a drypoint in order to demonstrate the steadiness of his hand". (Quinn in conversation with Marilyn McCully 1983) - Photo by Edward Quinn
  • Pablo Picasso working on the etching "Les coulisses du tableau: odalisque et peintre", 1970. Mas Notre-Dame-de-Vie, Mougins 1970. This photo sequence was made during the making of Quinn’s film "Pablo Picasso l' homme et son oeuvre". "When Pablo Picasso was eighty-nine he asked Quinn to film him making a drypoint in order to demonstrate the steadiness of his hand". (Quinn in conversation with Marilyn McCully 1983) - Photo by Edward Quinn
  • Pablo Picasso working on the etching "Les coulisses du tableau: odalisque et peintre", 1970. Mas Notre-Dame-de-Vie, Mougins 1970. This photo sequence was made during the making of Quinn’s film "Pablo Picasso l' homme et son oeuvre". "When Pablo Picasso was eighty-nine he asked Quinn to film him making a drypoint in order to demonstrate the steadiness of his hand". (Quinn in conversation with Marilyn McCully 1983) - Photo by Edward Quinn
  • Pablo Picasso working on the etching "Les coulisses du tableau: odalisque et peintre", 1970. Mas Notre-Dame-de-Vie, Mougins 1970. This photo sequence was made during the making of Quinn’s film "Pablo Picasso l' homme et son oeuvre". "When Pablo Picasso was eighty-nine he asked Quinn to film him making a drypoint in order to demonstrate the steadiness of his hand". (Quinn in conversation with Marilyn McCully 1983) - Photo by Edward Quinn
  • Pablo Picasso working on the etching "Les coulisses du tableau: odalisque et peintre", 1970. Mas Notre-Dame-de-Vie, Mougins 1970. This photo sequence was made during the making of Quinn’s film "Pablo Picasso l' homme et son oeuvre". "When Pablo Picasso was eighty-nine he asked Quinn to film him making a drypoint in order to demonstrate the steadiness of his hand". (Quinn in conversation with Marilyn McCully 1983) - Photo by Edward Quinn
  • Pablo Picasso working on the etching "Les coulisses du tableau: odalisque et peintre", 1970. Mas Notre-Dame-de-Vie, Mougins 1970. This photo sequence was made during the making of Quinn’s film "Pablo Picasso l' homme et son oeuvre". "When Pablo Picasso was eighty-nine he asked Quinn to film him making a drypoint in order to demonstrate the steadiness of his hand". (Quinn in conversation with Marilyn McCully 1983) - Photo by Edward Quinn
  • Pablo Picasso working on the etching "Les coulisses du tableau: odalisque et peintre", 1970. Mas Notre-Dame-de-Vie, Mougins 1970. This photo sequence was made during the making of Quinn’s film "Pablo Picasso l' homme et son oeuvre". "When Pablo Picasso was eighty-nine he asked Quinn to film him making a drypoint in order to demonstrate the steadiness of his hand". (Quinn in conversation with Marilyn McCully 1983) - Photo by Edward Quinn
  • Pablo Picasso working on the etching "Les coulisses du tableau: odalisque et peintre", 1970. Mas Notre-Dame-de-Vie, Mougins 1970.T his photo sequence was made during the making of Quinn’s film "Pablo Picasso l' homme et son oeuvre". "When Pablo Picasso was eighty-nine he asked Quinn to film him making a drypoint in order to demonstrate the steadiness of his hand". (Quinn in conversation with Marilyn McCully 1983) - Photo by Edward Quinn
  • "Hommage à Pablo Picasso: Pablo Picasso dans les collections publiques françaises" at the Louvre, Paris 1971. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1974. (Photographed after Pablo Picasso’s death.) - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1974. (Photographed after Pablo Picasso’s death.) - Photo by Edward Quinn