The Edward Quinn Archive

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A total of 1425 images have been found for the keyword «Sculptures».

  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. Here he is collecting a branch to ad to the sculpture. The branch was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. Here he is collecting a branch to ad to the sculpture. The branch was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. Here he is collecting a branch to ad to the sculpture. The branch was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. Here he is collecting a branch to ad to the sculpture. The branch was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. Here he is collecting a branch to ad to the sculpture. The branch was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. Here he is adding a branch to the sculpture which was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. Here he is adding a branch to the sculpture which was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. Here he is adding a branch to the sculpture which was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. Here he is adding a branch to the sculpture which was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. Here he is adding a branch to the sculpture which was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. Here he is adding a branch to the sculpture which was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. Here he is adding a branch to the sculpture which was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. Here he is adding a branch to the sculpture which was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. Here he is adding a branch to the sculpture which was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. The branch was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. The branch was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. The branch was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. The branch was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. The branch was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. The branch was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. The branch was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. The branch was later replaced by a key. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso in his sculpture studio Le Fournas just before starting to work on "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Picasso working in his sculpture studio Le Fournas making a sculpture figure with odds and ends from his scrap heap. The finished sculpture got the name "La femme à la clé (La Taulière)" ("Woman with a key"). Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Picasso and film director Luciano Emmer. Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing the charcoal drawing "Vue de Village" of the view from Le Fournas. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas ("Vue de Village", 26.6.1953.) during filming of Luciano Emmer's documentary. Vallauris 26.6.53 - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso in front of a board with ceramics. Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso in front of a board with ceramics. Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso in front of a board with his ceramics. Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Portrait of Pablo Picasso in white pullover at his studio Le Fournas. Vallauris 1953. - Photo by Edward Quinn
  • "Petite fille sautant à la corde". Galerie Madoura Vallauris 1953. - Photo by Edward Quinn
  • "Petite fille sautant à la corde". Galerie Madoura Vallauris 1953. - Photo by Edward Quinn
  • "Petite fille sautant à la corde". Galerie Madoura Vallauris 1953. - Photo by Edward Quinn
  • Paul Cézanne's studio. Aix-en-Provence April 1954. - Photo by Edward Quinn
  • Paul Cézanne's studio. Aix-en-Provence April 1954. - Photo by Edward Quinn
  • Pablo Picasso and Hélène Parmelin (second from left) with Sovjet Film delegation: Catherine Litvinenko, Serge Youtkevitch (director), Ljubov Orlova (with fur collar), Klara Luchko, Akaky Khorava, Grigori Alexandrov (director) in front of Pablo Picasso sculpture "L’homme au mouton". Place Paul Isnard, Vallauris 1954. - Photo by Edward Quinn
  • Pablo Picasso with a Sovjet Film delegation. From left Catherine Litvinenko, Hélène Parmelin, Paulo Picasso, Serge Youtkevitch (director), Ljubov Orlova (with fur collar), Klara Luchko, Akaky Khorava, Grigori Alexandrov (director) in front of Pablo Picasso sculpture "L’homme au mouton". Place Paul Isnard, Vallauris 1954. - Photo by Edward Quinn
  • Pablo Picasso with a Sovjet Film delegation. From left Akaky Khorava, Klara Luchko, Catherine Litvinenko, Ljubov Orlova (with fur collar), Hélène Parmelin, Pablo Picasso, Serge Youtkevitch (director), Grigori Alexandrov (director) in front of Pablo Picasso sculpture "L’homme au mouton". Place Paul Isnard, Vallauris 1954. - Photo by Edward Quinn
  • Pablo Picasso with a Sovjet Film delegation. From left Catherine Litvinenko, Hélène Parmelin, Paulo Picasso, Serge Youtkevitch (director), Pablo Picasso, Ljubov Orlova (with fur collar), Klara Luchko, Grigori Alexandrov (director). In front of Pablo Picasso sculpture "L’homme au mouton". Place Paul Isnard, Vallauris 1954. - Photo by Edward Quinn
  • Picasso with Sovjet Film delegation in front of Picasso sculpture "Man With Sheep" ("L’homme au mouton”). Vallauris 1954. (Youtkevitch, Serge, Alexandrov, Gregori, Lutchko, Clara, Orlova, Lubov (with fur collar), Litvinienkov, Catherine, Khorava, Akaky). Vallauris 1954. - Photo by Edward Quinn
  • Sylvette David in front of Pablo Picasso sculpture "L’homme au mouton". Place Paul Isnard, Vallauris 1954. - Photo by Edward Quinn
  • Sylvette David in front of Pablo Picasso sculpture "L’homme au mouton". Place Paul Isnard, Vallauris 1954. - Photo by Edward Quinn
  • A drink before the bullfight. Pablo Picasso, and the Spanish toreros Jose Montero (right) and Pepe Luis Marca with a statuette of a fighting bull, presented to Pablo Picasso by the toreadors. First Corrida of Vallauris 1954. - Photo by Edward Quinn
  • A drink before the bullfight. Pablo Picasso, Françoise Gilot and the Spanish toreros Jose Montero (right) and Luis Marca with a statuette of a fighting bull, presented to Pablo Picasso by the toreadors. First Corrida of Vallauris 1954. - Photo by Edward Quinn
  • Pablo Picasso with "Centaure". Filming of "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso with "Centaure". Filming of "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso with "Centaure" and double mask. Filming of "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso with double Mask. Filming of "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn