The Edward Quinn Archive

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A total of 192 images have been found for the keyword «StripedShirt».

  • Rudolf Nureyev, Soviet dancer of ballet and modern dance. Nice Airport 1963. - Photo by Edward Quinn
  • Rudolf Nureyev, Soviet dancer of ballet and modern dance, waiting for English ballerina Margot Fonteyn. Nice Airport 1963. - Photo by Edward Quinn
  • Rudolf Nureyev, Soviet dancer of ballet and modern dance, waiting for English ballerina Margot Fonteyn. Nice Airport 1963. - Photo by Edward Quinn
  • Rudolf Nureyev, Soviet dancer of ballet and modern dance, waiting for English ballerina Margot Fonteyn. Nice Airport 1963. - Photo by Edward Quinn
  • Rudolf Nureyev, Soviet dancer of ballet and modern dance, and English ballerina Margot Fonteyn. Nice Airport 1963. - Photo by Edward Quinn
  • Rudolf Nureyev, Soviet dancer of ballet and modern dance, and English ballerina Margot Fonteyn. Nice Airport 1963. - Photo by Edward Quinn
  • Rudolf Nureyev, Soviet dancer of ballet and modern dance, and English ballerina Margot Fonteyn. Nice Airport 1963. - Photo by Edward Quinn
  • Published in PARIS MATCH No 892, 14.5.1966: Brigitte Bardot with Repetto ballerinas, Capri trousers and a Breton shirt posing ever so nicely on a Simca Aronde Week-end during Cannes Film Festival 1956. - Photo by Edward Quinn
  • Pablo Picasso. Mas Notre-Dame-de-Vie, Mougins 1967. - Photo by Edward Quinn
  • Pablo Picasso’s painting studio. He was always delighted to start work in a large, empty room, but gradually as objects came into the house that he thought might serve him as sources of inspiration or be integrated into a mixed-media sculpture, he found a place for everything  and then contented himself to work in a small corner. All around various art supplies, lithograph proofs and photographs, with Pablo Picasso’s works against the wall here and there. At least six easels were always set up. Pablo Picasso liked to keep things visible and always left an easel empty in order to have at least one free space to work. He often included these easels, sometimes holding blank canvases in his "interior landscapes. Mas Notre-Dame-de-Vie, Mougins 1974. (Photographed after Pablo Picasso’s death.) - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1974. - Photo by Edward Quinn
  • One of the unfurnished rooms at Mas Notre-Dame-de-Vie that Pablo Picasso used as studios. The studio as it was before he died. Mougins 1974. - Photo by Edward Quinn