The Edward Quinn Archive

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A total of 339 images have been found for the keyword «TribalArt».

  • A close-up of the top of a sideboard. Pablo Picasso used every bit of available space to display at clutter of objects, here including an old jam jar labeled "vernis" (varnish). Mas Notre-Dame-de-Vie, Mougins 1974. (Photographed after Pablo Picasso’s death.) - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1974. - Photo by Edward Quinn
  • One of the unfurnished rooms at Mas Notre-Dame-de-Vie that Pablo Picasso used as studios. The studio as it was before he died. Mougins 1974. - Photo by Edward Quinn
  • Close-up of the corner of the studio. Pablo Picasso has arranged pieces of antique ceramics in front of his portrait of a faune. Mas Notre-Dame-de-Vie, Mougins 1974. (Photographed after Pablo Picasso’s death.) - Photo by Edward Quinn
  • Studio de la sculpture. Ground floor, Mas Notre-Dame-de-Vie, Mougins 1974. (Photographed after Pablo Picasso’s death.) - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1974. (Photographed after Pablo Picasso’s death.) - Photo by Edward Quinn
  • A room in the second house of Max Ernst and Dorothea Tanning. Seillans 1974. - Photo by Edward Quinn
  • The wooden sculpture of Kwakiutl Max Ernst bought in 1941 in New York. Seillans 1974. - Photo by Edward Quinn
  • The wooden sculpture of Kwakiutl Max Ernst bought in 1941 in New York. Seillans 1974. - Photo by Edward Quinn
  • The studio of Max Ernst. Seillans 1975. - Photo by Edward Quinn
  • The studio of Max Ernst. Seillans 1974. - Photo by Edward Quinn
  • The studio of Max Ernst. Seillans 1974. - Photo by Edward Quinn
  • The studio of Max Ernst. Seillans 1975. - Photo by Edward Quinn
  • At the studio of Max Ernst. Seillans 1975. On the wall a Nafana Bedu Mask, Ivory Coast. - Photo by Edward Quinn
  • Max Ernst at his new studio. Seillans 1975. - Photo by Edward Quinn
  • At the studio of Max Ernst. Seillans 1975. - Photo by Edward Quinn
  • At the studio of Max Ernst. Seillans 1975. - Photo by Edward Quinn
  • At the studio of Max Ernst. Seillans 1975. - Photo by Edward Quinn
  • At the studio of Max Ernst. Seillans 1975. - Photo by Edward Quinn
  • At the studio of Max Ernst. Seillans 1975. - Photo by Edward Quinn
  • Max Ernst working at his studio in Seillans 1975. Behind him paintings "Humanae vitae I and II" - Photo by Edward Quinn
  • Max Ernst working at his studio in Seillans 1975. Behind him paintings "Humanae vitae I and II" - Photo by Edward Quinn
  • Max Ernst at his studio. Seillans 1975. On the wall a Nafana Bedu Mask, Ivory Coast. - Photo by Edward Quinn
  • Max Ernst working at his studio in Seillans 1975. Behind him paintings "Humanae vitae I and II" - Photo by Edward Quinn
  • Max Ernst at his studio in Seillans 1974. - Photo by Edward Quinn
  • Max Ernst working on a collage at his studio. Seillans 1975. - Photo by Edward Quinn
  • Max Ernst working on a collage at his studio. Seillans 1975. - Photo by Edward Quinn
  • Max Ernst working on a collage at his studio. Seillans 1975. - Photo by Edward Quinn
  • Max Ernst working on a collage at his studio. Seillans 1975. - Photo by Edward Quinn
  • Max Ernst working on a collage at his studio. Seillans 1975. - Photo by Edward Quinn
  • The studio of Max Ernst. Seillans 1975. - Photo by Edward Quinn
  • Artwork in the second house of Max Ernst and Dorothea Tanning. Seillans 1975. - Photo by Edward Quinn
  • British art historian and art collector Douglas Cooper at his office in Monte Carlo, 1983. - Photo by Edward Quinn
  • British art historian and art collector Douglas Cooper at his office in Monte Carlo 1983. - Photo by Edward Quinn
  • British art historian and art collector Douglas Cooper at his office in Monte Carlo, 1983. - Photo by Edward Quinn
  • British art historian and art collector Douglas Cooper at his office in Monte Carlo, 1983. - Photo by Edward Quinn
  • British art historian and art collector Douglas Cooper at his office in Monte Carlo 1983. - Photo by Edward Quinn
  • British art historian and art collector Douglas Cooper at his office in Monte Carlo 1983. - Photo by Edward Quinn
  • British art historian and art collector Douglas Cooper at his office in Monte Carlo, 1983 - Photo by Edward Quinn