The Edward Quinn Archive

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A total of 1615 images have been found for the keyword «AtWork».

  • "Le mystère Picasso", work on corrida painting. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • "Le mystère Picasso", work on corrida painting. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Henri-Georges Clouzot. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Maya Picasso and Henri-Georges Clouzot. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Maya Picasso and Henri-Georges Clouzot. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work for the film "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso, Maya Picasso and Henri-Georges Clouzot. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Maya Picasso and Henri-Georges Clouzot. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Maya Picasso and Henri-Georges Clouzot. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Francisco Reina "El Minuni", banderillero andaluz. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Francisco Reina "El Minuni", banderillero andaluz. "Le mystère Picasso". Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Francisco Reina "El Minuni", banderillero andaluz. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Maya, Jacqueline. "Le mystère Picasso”, Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Nature morte". Pablo Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Nature morte". Pablo Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Nature morte". Pablo Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Nature morte". Pablo Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Nature morte". Pablo Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Nature morte". Pablo Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Nature morte". Pablo Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Nature morte". Pablo Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Nature morte". Pablo Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Nature morte". Pablo Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Nature morte". Pablo Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Nature morte". Pablo Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso" by Henri-Georges Clouzot. Picasso working on "Nature morte". Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Nature morte". Pablo Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • During filming of "Le mystère Picasso". Pablo Picasso working on "Nature morte". Pablo Picasso had a frame constructed on which he could stretch a transluscent piece of paper. He drew on one side, and the camera filmed the drawing being born from the other side. Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso during filming of "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso during filming of "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso during filming of "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso, Henri-Georges Clouzot and members of the film crew during filming of "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso, Henri-Georges Clouzot and members of the film crew during filming of "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Maya Picasso. Filming of the painting of "Corrida", 1955, for "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Maya Picasso. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Maya, Clouzot film "Le mystère Picasso”, work on corrida painting - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Maya Picasso. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Maya Picasso. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Maya Picasso. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Henri-Georges Clouzot. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picassoand Maya Picasso. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Henri-Georges Clouzot. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Maya Picasso. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Maya Picasso and Pablo Picasso. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Maya Picasso. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Maya Picasso and Pablo Picasso. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • "Le mystère Picasso". Pablo Picasso working on corrida painting. With Maya Picasso. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso and Henri-Georges Clouzot studying a catalog of tapestries. Pablo Picasso used cut-outs for the two paintings "Nature morte sur une commode", 1955 and "Femme nue allongé" or "Grand nu allongé". Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso and Henri-Georges Clouzot studying a catalog of tapestries. Pablo Picasso used cut-outs for the two paintings "Nature morte sur une commode", 1955 and "Femme nue allongé" or "Grand nu allongé". Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso at work during filming of "Le mystère Picasso", documentary. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso at work during filming of "Le mystère Picasso", documentary. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso at work during filming of "Le mystère Picasso", documentary. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso at work during filming of "Le mystère Picasso", documentary. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn