The Edward Quinn Archive

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A total of 98 images have been found for the keyword «BirdCage».

  • Panels intended for the UNESCO work by Pablo Picasso "La chute d'Icare" but which were not included. Bird cage. Drum. La Californie, Cannes 1958. - Photo by Edward Quinn
  • Panels intended for the UNESCO work by Pablo Picasso "La chute d'Icare" but which were not included. Bird cage. Drum. La Californie, Cannes 1958. - Photo by Edward Quinn
  • Panels intended for the UNESCO work by Pablo Picasso "La chute d'Icare" but which were not included. Bird cage. La Californie, Cannes 1958. - Photo by Edward Quinn
  • La Californie, Cannes 1958. - Photo by Edward Quinn
  • La Californie, Cannes 1958. - Photo by Edward Quinn
  • Pablo Picasso on the occasion of the visit of Clive Bell. La Californie, Cannes 1958. - Photo by Edward Quinn
  • Pablo Picasso and the critic Clive Bell. La Californie, Cannes 1958. - Photo by Edward Quinn
  • Pablo Picasso on the occasion of the visit of Clive Bell. La Californie, Cannes 1958. - Photo by Edward Quinn
  • Pablo Picasso on the occasion of the visit of Clive Bell. La Californie, Cannes 1958. - Photo by Edward Quinn
  • La Californie, Cannes 1958. - Photo by Edward Quinn
  • Pablo Picasso on the occasion of the visit of Clive Bell. La Californie, Cannes 1958. - Photo by Edward Quinn
  • Pablo Picasso on the occasion of the visit of Clive Bell. La Californie, Cannes 1958. - Photo by Edward Quinn
  • Pablo Picasso on the occasion of the visit of Clive Bell. La Californie, Cannes 1958. - Photo by Edward Quinn
  • Jean Cocteau, French poet, novelist, painter, and filmmaker showing a bird to a visiting journalist. At friend Francine Weisweiller’s Villa Santo Sospir. Saint-Jean-Cap-Ferrat 1959. - Photo by Edward Quinn
  • Jean Cocteau with a bird at Francine Weisweiller’s Villa Santo Sospir. Saint-Jean-Cap-Ferrat 1959. - Photo by Edward Quinn
  • Dining table and sideboard are crowded with a fascinating mixture of objects and papers. On the walls hang two early portraits of Jacqueline dating from 1954. This corner of the living room gives an idea of Pablo Picasso's orderly disorder. La Californie, Cannes 1959. - Photo by Edward Quinn
  • Dining table and sideboard are crowded with a fascinating mixture of objects and papers. On the walls hang two early portraits of Jacqueline dating from 1954. This corner of the living room gives an idea of Pablo Picasso's orderly disorder. La Californie, Cannes 1959. - Photo by Edward Quinn
  • La Californie, Cannes 1959. - Photo by Edward Quinn
  • Somerset Maugham lived at his Villa Mauresque in Saint-Jean-Cap-Ferrat. He bought the property in 1926 from a bishop and created one of the most beautiful artistic gardens in the world. In 1960, returning from a trip to the Far East, he was greeted by his secretary and companion Alan Searl and his canaries. Saint-Jean-Cap-Ferrat 1960. - Photo by Edward Quinn
  • Large sofa. La Californie, Cannes 1960. - Photo by Edward Quinn
  • Large sofa weighed down with an array of papers, prints, guitar. La Californie, Cannes 1960. - Photo by Edward Quinn
  • Paloma Picasso watching her father Pablo Picasso dedicating "Faune (Pour mon ami E. Quinn) see Pic600664. La Californie, Cannes 1960. - Photo by Edward Quinn
  • Paloma Picasso watching her father Pablo Picasso dedicating "Faune (Pour mon ami E. Quinn) see Pic600664. La Californie, Cannes 1960. - Photo by Edward Quinn
  • Pablo Picasso at La Californie. The proverbial disorder of the rooms in which Pablo Picasso works is unique. Beside the large pieces of sculpture in painted iron and plaster hang portraits of Jacqueline and Paloma Picasso surrounded by drawings, objects and notes pinned to the wall. La Californie, Cannes 1961. - Photo by Edward Quinn
  • The proverbial disorder of the rooms in which Pablo Picasso works is unique. Beside the large pieces of sculpture in painted iron and plaster hang portraits of Jacqueline and Paloma Picasso surrounded by drawings, objects and notes pinned to the wall. La Californie, Cannes 1961. - Photo by Edward Quinn
  • The proverbial disorder of the rooms in which Pablo Picasso works is unique. Beside the large pieces of sculpture in painted iron and plaster hang portraits of Jacqueline and Paloma Picasso surrounded by drawings, objects and notes pinned to the wall. La Californie, Cannes 1961. - Photo by Edward Quinn
  • The proverbial disorder of the rooms in which Pablo Picasso works is unique. Beside the large pieces of sculpture in painted iron and plaster hang portraits of Jacqueline and Paloma Picasso surrounded by drawings, objects and notes pinned to the wall. La Californie, Cannes 1961. - Photo by Edward Quinn
  • The proverbial disorder of the rooms in which Pablo Picasso works is unique. Beside the large pieces of sculpture in painted iron and plaster hang portraits of Jacqueline and Paloma Picasso surrounded by drawings, objects and notes pinned to the wall. La Californie, Cannes 1961. - Photo by Edward Quinn
  • La Californie, seen from the garden. This side of the house faced south, and on the top floor where Pablo Picasso worked and fed the pigeons, he could see the Mediterranean. Cannes 1961. Today: Pavillon de Flore, 22 Avenue de Coste Belle, Cannes. - Photo by Edward Quinn
  • "La Californie", seen from the garden, with the pigeon loft constructed by Pablo Picasso himself. This side of the house faced south, and on the top floor where Pablo Picasso worked and fed the pigeons, he could see the Mediterranean. Cannes 1961. Today: Pavillon de Flore, 22 Avenue de Coste Belle, Cannes. - Photo by Edward Quinn
  • Somerset Maugham and his canaries. Villa Mauresque in Saint-Jean-Cap-Ferrat 1962. - Photo by Edward Quinn
  • Somerset Maugham and his canaries. His secretary and companion Alan Searle and a visitor in the background. Villa Mauresque in Saint-Jean-Cap-Ferrat 1962. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1969. - Photo by Edward Quinn
  • From left: Pablo Picasso's surgeon Dr. Jacques Hepp, unknown lady, Pablo Picasso, the master printmakers Aldo and Piero Crommelynck, Jacqueline, Dr. Hepp's wife Myriam. Mas Notre-Dame-de-Vie, Mougins 1969. - Photo by Edward Quinn
  • Pablo Picasso working on the etching "Les coulisses du tableau: odalisque et peintre", 1970. Mas Notre-Dame-de-Vie, Mougins 1970. This photo sequence was made during the making of Quinn’s film "Pablo Picasso l' homme et son oeuvre". "When Pablo Picasso was eighty-nine he asked Quinn to film him making a drypoint in order to demonstrate the steadiness of his hand". (Quinn in conversation with Marilyn McCully 1983) - Photo by Edward Quinn
  • Pablo Picasso working on the etching "Les coulisses du tableau: odalisque et peintre", 1970. Mas Notre-Dame-de-Vie, Mougins 1970. This photo sequence was made during the making of Quinn’s film "Pablo Picasso l' homme et son oeuvre". "When Pablo Picasso was eighty-nine he asked Quinn to film him making a drypoint in order to demonstrate the steadiness of his hand". (Quinn in conversation with Marilyn McCully 1983) - Photo by Edward Quinn
  • Pablo Picasso working on the etching "Les coulisses du tableau: odalisque et peintre", 1970. Mas Notre-Dame-de-Vie, Mougins 1970. This photo sequence was made during the making of Quinn’s film "Pablo Picasso l' homme et son oeuvre". "When Pablo Picasso was eighty-nine he asked Quinn to film him making a drypoint in order to demonstrate the steadiness of his hand". (Quinn in conversation with Marilyn McCully 1983) - Photo by Edward Quinn
  • Pablo Picasso working on the etching "Les coulisses du tableau: odalisque et peintre", 1970. Mas Notre-Dame-de-Vie, Mougins 1970.T his photo sequence was made during the making of Quinn’s film "Pablo Picasso l' homme et son oeuvre". "When Pablo Picasso was eighty-nine he asked Quinn to film him making a drypoint in order to demonstrate the steadiness of his hand". (Quinn in conversation with Marilyn McCully 1983) - Photo by Edward Quinn