The Edward Quinn Archive

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A total of 1227 images have been found for the keyword «Ceramics».

  • Pablo Picasso working on first version of plate of a woman (Irène Rignault, Madame X), during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso working on first version of plate of a woman (Irène Rignault, Madame X), during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso working on first version of plate of a woman (Irène Rignault, Madame X), during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso working on first version of plate of a woman (Irène Rignault, Madame X), during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso and Luciano Emmer with first version of plate of a woman (Irène Rignault, Madame X), during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso and Luciano Emmer with first version of plate of a woman (Irène Rignault, Madame X), during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso and Luciano Emmer with first version of plate of a woman (Irène Rignault, Madame X), during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso and Luciano Emmer during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso, Luciano Emmer and cameraman Giulio Gianini during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso working on first version of plate of a woman (Irène Rignault, Madame X), during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Pablo Picasso working on first version of plate of a woman (Irène Rignault, Madame X), during filming of "Pablo Picasso", directed by Luciano Emmer. Madoura pottery, Vallauris 14.10.1953. - Photo by Edward Quinn
  • Madoura pottery, Vallauris Oct 15 1953. - Photo by Edward Quinn
  • Pablo Picasso during filming. (Luciano Emmer film). Vallauris 15.10.1953. - Photo by Edward Quinn
  • Picasso with postman. Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Pablo Picasso with the postman. Luciano Emmer film. Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Pablo Picasso would sometimes squeeze a vase before the clay had hardened, molding it into a representational shape. "To give it life," he once said, "I have to wring its neck." Delighted that he could make the clay respond to any fantasy that passed through his mind, he shaped mythologicat figures such as fauns and satyrs, as well as vases representing graceful women, bulls, goats, fish, and above all, owls and doves. Here Pablo Picasso is working on small bird sculpture, Luciano Emmer film. Madoura pottery, Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Pablo Picasso would sometimes squeeze a vase before the clay had hardened, molding it into a representational shape. "To give it life," he once said, "I have to wring its neck." Delighted that he could make the clay respond to any fantasy that passed through his mind, he shaped mythologicat figures such as fauns and satyrs, as well as vases representing graceful women, bulls, goats, fish, and above all, owls and doves. Here Pablo Picasso is working on small bird sculpture, Luciano Emmer film. Madoura pottery, Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Pablo Picasso would sometimes squeeze a vase before the clay had hardened, molding it into a representational shape. "To give it life," he once said, "I have to wring its neck." Delighted that he could make the clay respond to any fantasy that passed through his mind, he shaped mythologicat figures such as fauns and satyrs, as well as vases representing graceful women, bulls, goats, fish, and above all, owls and doves. Here Pablo Picasso is working on small bird sculpture, Luciano Emmer film. Madoura pottery, Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Pablo Picasso would sometimes squeeze a vase before the clay had hardened, molding it into a representational shape. "To give it life," he once said, "I have to wring its neck." Delighted that he could make the clay respond to any fantasy that passed through his mind, he shaped mythologicat figures such as fauns and satyrs, as well as vases representing graceful women, bulls, goats, fish, and above all, owls and doves. Here Pablo Picasso is working on small bird sculpture, Luciano Emmer film. Madoura pottery, Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Pablo Picasso would sometimes squeeze a vase before the clay had hardened, molding it into a representational shape. "To give it life," he once said, "I have to wring its neck." Delighted that he could make the clay respond to any fantasy that passed through his mind, he shaped mythologicat figures such as fauns and satyrs, as well as vases representing graceful women, bulls, goats, fish, and above all, owls and doves. Here Pablo Picasso is working on small bird sculpture, Luciano Emmer film. Madoura pottery, Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Pablo Picasso would sometimes squeeze a vase before the clay had hardened, molding it into a representational shape. "To give it life," he once said, "I have to wring its neck." Delighted that he could make the clay respond to any fantasy that passed through his mind, he shaped mythologicat figures such as fauns and satyrs, as well as vases representing graceful women, bulls, goats, fish, and above all, owls and doves. Here Pablo Picasso is working on small bird sculpture, Luciano Emmer film. Madoura pottery, Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Pablo Picasso would sometimes squeeze a vase before the clay had hardened, molding it into a representational shape. "To give it life," he once said, "I have to wring its neck." Delighted that he could make the clay respond to any fantasy that passed through his mind, he shaped mythologicat figures such as fauns and satyrs, as well as vases representing graceful women, bulls, goats, fish, and above all, owls and doves. Here Pablo Picasso is working on small bird sculpture, Luciano Emmer film. Madoura pottery, Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Pablo Picasso would sometimes squeeze a vase before the clay had hardened, molding it into a representational shape. "To give it life," he once said, "I have to wring its neck." Delighted that he could make the clay respond to any fantasy that passed through his mind, he shaped mythological figures such as fauns and satyrs, as well as vases representing graceful women, bulls, goats, fish, and above all, owls and doves. Here Pablo Picasso is working on small bird sculpture, Luciano Emmer film. Madoura pottery, Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Picasso would sometimes squeeze a vase before the clay had hardened, molding it into a representational shape. "To give it life," he once said, "I have to wring its neck." Delighted that he could make the clay respond to any fantasy that passed through his mind, he shaped mythologicat figures such as fauns and satyrs, as well as vases representing graceful women, bulls, goats, fish, and above all, owls and doves. Here Picasso is working on small bird sculpture, Luciano Emmer film. Madoura pottery, Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Luciano Emmer, unknown boy and Pablo Picasso. Madoura pottery, Luciano Emmer film. Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Luciano Emmer (left) and Pablo Picasso. Madoura pottery, Luciano Emmer film. Vallauris 14./15.10.1953. - Photo by Edward Quinn
  • Pablo Picasso at Madoura pottery, Vallauris 1953. - Photo by Edward Quinn
  • Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • "Chouette à tête de femme" (couple carnaval), alternate "Hibou", 1953. OPP.51:268, MPP:346, WS:403.IIIb - Photo by Edward Quinn
  • Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Junk pile at Madoura Pottery. Vallauris 1953. - Photo by Edward Quinn
  • Madame Paule de Lazerme (she had an affair with Pablo Picasso for some months) and Rosa (Rosita) Hugué (left), adopted daughter of Jeanne Hugué ("Totote"), with Pablo Picasso ceramics in front of Le Fournas. Right: not yet identified man with chouette. Pablo Picasso in the background. Vallauris 1953. - Photo by Edward Quinn
  • Jeanne Huguet ("Totote", widow of the catalan sculptor Manolo Huguet), widow of the catalan sculptor Manolo Huguet, and not yet identified woman in front of Le Fournas. Paulo Picasso in the background. Vallauris 1953. - Photo by Edward Quinn
  • Madame Paule de Lazerme (she had an affair with Pablo Picasso for some months), Pablo Picasso, M. and Mme Ramié in front of Le Fournas. Vallauris 1953. - Photo by Edward Quinn
  • Studio Le Fournas, 1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.53. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing the charcoal drawing "Vue de Village" of the view from Le Fournas. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas. Luciano Emmer Film. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso doing a charcoal drawing of the view from Le Fournas during filming of Luciano Emmer's documentary. Vallauris 26.6.1953. - Photo by Edward Quinn
  • Pablo Picasso in front of a board with ceramics. Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso in front of a board with ceramics. Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso in front of a board with ceramics. Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso in front of a board with ceramics. Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso in front of a board with ceramics. Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso in front of a board with ceramics. Le Fournas, Vallauris 1953. - Photo by Edward Quinn