The Edward Quinn Archive

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A total of 679 images have been found for the keyword «PaintingUtensils».

  • Pablo Picasso at work during filming of "Le mystère Picasso", documentary. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso at work during filming of "Le mystère Picasso", documentary. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso at work during filming of "Le mystère Picasso", documentary. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso at work during filming of "Le mystère Picasso", documentary. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso at work during filming of "Le mystère Picasso", documentary. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso at work during filming of "Le mystère Picasso", documentary. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Pablo Picasso at work during filming of "Le mystère Picasso", documentary. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Something begun as a bouquet has become first a fish, then a cock, and finally the head of a faun. Pablo Picasso at work during filming of "Le mystère Picasso". Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Something begun as a bouquet has become first a fish, then a cock, and finally the head of a faun. In the foreground ashtrays transformed into pots for colored inks. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Henri-Georges Clouzot. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Henri-Georges Clouzot. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Painting utensils. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline with the painting "Portrait de Jacqueline au rocking-chair et à la mantille noire". La Californie, Cannes 1955. (Digitized from Vintage Print, original negative missing) - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline with the painting "Portrait de Jacqueline au rocking-chair et à la mantille noire". La Californie, Cannes 1955. - Photo by Edward Quinn
  • Danish artist Jens Ferdinand Willumsen and his partner, the dancer and painter Michelle Bourret, Cannes 1955. - Photo by Edward Quinn
  • Danish artist Jens Ferdinand Willumsen and his partner, the dancer and painter Michelle Bourret, Cannes 1955. - Photo by Edward Quinn
  • Danish artist Jens Ferdinand Willumsen. Cannes 1955. - Photo by Edward Quinn
  • Danish artist Jens Ferdinand Willumsen. Cannes 1955. - Photo by Edward Quinn
  • Danish artist Jens Ferdinand Willumsen. Cannes 1955. - Photo by Edward Quinn
  • Danish artist Jens Ferdinand Willumsen. Cannes 1955. - Photo by Edward Quinn
  • Curd Jürgens and Raymond Moretti. Portrait session at Moretti’s studio. Nice 1956. - Photo by Edward Quinn
  • Curd Jürgens and Raymond Moretti. Portrait session at Moretti’s studio. Nice 1956. - Photo by Edward Quinn
  • Curd Jürgens and Raymond Moretti. Portrait session at Moretti’s studio. Nice 1956. - Photo by Edward Quinn
  • Curd Jürgens and Raymond Moretti. Portrait session at Moretti’s studio. Nice 1956. - Photo by Edward Quinn
  • Curd Jürgens and Raymond Moretti. Portrait session at Moretti’s studio. Nice 1956. - Photo by Edward Quinn
  • Hjalmar Boyesen. He collaborated with Pablo Picasso during 1956-1958, and executed some mosaics for him. The triangle shape mosaic is made after a design by Jean Cocteau. Based on Cocteau’s journal, it was made in October 1956. and it is representing the crucifixion. - Photo by Edward Quinn
  • Jean Cocteau working on the mural of the Chapelle Saint Pierre. Villefranche-sur-Mer 1956. - Photo by Edward Quinn
  • Jean Cocteau working on the mural of the Chapelle Saint Pierre. Villefranche-sur-Mer 1956. - Photo by Edward Quinn
  • Jean Cocteau working on the mural of the Chapelle Saint Pierre. Villefranche-sur-Mer 1956. - Photo by Edward Quinn
  • Jean Cocteau and an assistant working on the mural of the Chapelle Saint Pierre. Villefranche-sur-Mer 1956. - Photo by Edward Quinn
  • Jean Cocteau working on the mural of the Chapelle Saint Pierre. Villefranche-sur-Mer 1956. - Photo by Edward Quinn
  • Jean Cocteau working on the mural of the Chapelle Saint Pierre. Villefranche-sur-Mer 1956. - Photo by Edward Quinn
  • Jean Cocteau working on the mural of the Chapelle Saint Pierre. Villefranche-sur-Mer 1956. - Photo by Edward Quinn
  • Jean Cocteau working on the mural of the "Chapelle Saint Pierre" in Villefranche-sur-Mer 1956. - Photo by Edward Quinn
  • Jean Cocteau working on the mural of the Chapelle Saint Pierre. Villefranche-sur-Mer 1956. - Photo by Edward Quinn
  • Jean Cocteau working on the mural of the Chapelle Saint Pierre. Villefranche-sur-Mer 1956. - Photo by Edward Quinn
  • Jean Cocteau working on the mural of the Chapelle Saint Pierre. Villefranche-sur-Mer 1956. - Photo by Edward Quinn
  • Jean Cocteau working on the mural of the Chapelle Saint Pierre. Villefranche-sur-Mer 1956. - Photo by Edward Quinn
  • Hjalmar Boyesen. He collaborated with Pablo Pablo Picasso during 1956-1958, and executed some mosaics for him. The triangle shape mosaic is made after a design by Jean Cocteau. Based on Cocteau’s journal, it was made in October 1956. and it is representing the crucifixion. - Photo by Edward Quinn
  • A corner at Pablo Picasso’s Villa La Californie with the painting "Jacqueline accroupie". Cannes 1956. - Photo by Edward Quinn
  • Salvador Dalí poses at his studio with his ink drawing of a madonna and her child and the painting "Cosmic Madonna", finished in 1958. At Salvador Dalí's house, Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • Salvador Dalí poses at his studio with his ink drawing of a madonna and her child and the painting "Cosmic Madonna", finished in 1958. At Salvador Dalí's house, Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • Salvador Dalí poses at his studio with his ink drawing of a madonna and her child and the painting "Cosmic Madonna", finished in 1958. At Salvador Dalí's house, Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • Salvador Dalí poses at his studio with his ink drawing of a madonna and her child and the painting "Cosmic Madonna", finished in 1958. At Salvador Dalí's house, Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • Salvador Dalí poses at his studio with his ink drawing of a madonna and her child and the painting "Cosmic Madonna", finished in 1958. At Salvador Dalí's house, Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • Salvador Dalí poses at his studio with his ink drawing of a madonna and her child and the painting "Cosmic Madonna", finished in 1958. At Salvador Dalí's house, Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • Dalí poses at his studio with his ink drawing of a madonna and her child and the painting "Cosmic Madonna", finished in 1958. At Salvador Dalí's house, Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • Dalí poses at his studio with his ink drawing of a madonna and her child and the painting "Cosmic Madonna", finished in 1958. At Salvador Dalí's house, Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • - Photo by Edward Quinn
  • Salvador Dalí’s oil painting Santiago El Grande, featuring a rearing white horse with St. James of Compostela, the patron saint of Spain, on its back. Now at the Beaverbrook Art Gallery, Fredericton, Canada. Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • Salvador Dalí and French painter Raymond Moretti. At Dalí's house, Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • Salvador Dalí and French painter Raymond Moretti. At Dalí's house, Portlligat, Cadaqués, 1957. - Photo by Edward Quinn
  • Salvador Dalí works on his experiments with the sea urchin holding a swan feather in its mouth. He sits in front of his painting "Taula davant el mar (Table in front of the Sea) Homage to Eric Satie". Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salavador Salvador Dalí poses with some objects he has used in the study of the "oursin" (sea urchin) to help him in his efforts to obtain a painting done by a sea urchin using a swans's feather or a dry flower in the urchin's mouth. The two display boards show sea urchin fossiles. Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salavador Salvador Dalí poses with some objects he has used in the study of the "oursin" (sea urchin) to help him in his efforts to obtain a painting done by a sea urchin using a swans's feather or a dry flower in the urchin's mouth. The two display boards show sea urchin fossiles. Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salvador Dalí works on his experiments with the sea urchin holding a swan feather and moving backwards and forewards thus marking the blackened paper. These experiments he is carrying out at his studio in his Spanish home at Portlligat, Cadaqués, on the Costa Brava 1957. - Photo by Edward Quinn
  • Salvador Dalí works on his experiments with the sea urchin holding a swanfeather or a dried flower in its mouth and moving backwards and forewards thus marking the blackened paper. These experiments he is carrying out at his studio in his Spanish home at Portlligat, Cadaqués, on the Costa Brava 1957. - Photo by Edward Quinn
  • Salvador Dalí with his sea urchins. A swan's feather he puts in the sea urchin's mouth is allowed to slightly touch a sheet of blackened paper. The movements then made are traced on the paper. At Salvador Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Salvador Dalí with his sea urchins. A swan's feather he puts in the sea urchin's mouth is allowed to slightly touch a sheet of blackened paper. The movements then made are traced on the paper. At Salvador Dalí's house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn
  • Watched by his wife Gala, Salvador Dalí works on his experiments with the sea urchin holding a swan feather and moving backwards and forewards thus marking the blackened paper. These experiments he is carrying out at his studio in his Spanish home at Portlligat, Cadaqués, on the Costa Brava 1957. - Photo by Edward Quinn