The Edward Quinn Archive

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A total of 143 images have been found for the keyword «Signature».

  • Juan Manuel Fangio, (34) Alfa Romeo 158 Alfetta, winner of the Monaco Grand Prix 1950. With Fangio's original signature. - Photo by Edward Quinn
  • Jean Cocteau at Villa Santo Sospir, working on ink drawing "Souvenirs de Jean Cocteau". Saint-Jean-Cap-Ferrat 1952. - Photo by Edward Quinn
  • Jean Cocteau, making a drawing for the 6th Cannes Film Festival. Cannes 1953. - Photo by Edward Quinn
  • Jean Cocteau, making a drawing for the 6th Cannes Film Festival. Cannes 1953. - Photo by Edward Quinn
  • Jean Cocteau, making a drawing for the 6th Cannes Film Festival. Cannes 1953. - Photo by Edward Quinn
  • Jean Cocteau in the Galerie des Ponchettes dedicating a catalogue, Nice where there is an exhibition of his paintings. With two Cartier Trinity rings. 10th February 1953. - Photo by Edward Quinn
  • Pablo Picasso signing autograph for a Luciano Emmer Film team member. In front of Le Fournas, Vallauris 1953. - Photo by Edward Quinn
  • Pablo Picasso signing guestbook. With Sovjet Film delegation Grigori Alexandrov (director) and Serge Youtkevitch (director). Temple de la Paix, (or Chapelle de la Paix), today Musée national Pablo Picasso, La Guerre et La Paix, Vallauris 1954. - Photo by Edward Quinn
  • Pablo Picasso signing guestbook. With Sovjet Film delegation Grigori Alexandrov (director) and Ljubov Orlova. Temple de la Paix, (or Chapelle de la Paix), today Musée national Pablo Picasso, La Guerre et La Paix, Vallauris 1954. - Photo by Edward Quinn
  • Letter of Sylvette David to Edward Quinn. Vallauris 1955. - Photo by Edward Quinn
  • "Faune", Frontispice for Verve (cover Sylvette), vol. 8, No. 29/30,09/54. Private collection. - Photo by Edward Quinn
  • Dedication on "Toros en Vallauris": "Para el amigo Quinn/el buen fotografo/Pablo Picasso/Vallauris le 30 Juillet 1954." (For the friend Edward Quinn/the good photographer/Vallauris July 1954.) See Pic540975; Czwiklitzer:13 - Photo by Edward Quinn
  • Brigitte Bardot negotiates a contract at the Hotel Negresco, Nice 1955. - Photo by Edward Quinn
  • Aristotle Onassis at his office at Olympic Maritime in Monte Carlo. Onassis became the most important shareholder of the Casino. He declared: "I am ready, I am going to save the Principality." Monte Carlo 1955. - Photo by Edward Quinn
  • Henri-Georges Clouzot and Pablo Picasso. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso preparing to do his signature backwards. Henri-Georges Clouzot. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso preparing to do his signature backwards. Henri-Georges Clouzot. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso preparing to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso preparing to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • In order to do his signature backwards on "La Célestine", 1955. Pablo Picasso was forced to practise for half an hour before he got a result that satisfied Clouzot. "La Célestine", 1955. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso preparing to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso preparing to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso working on "La Célestine" where he had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso working on "La Célestine" where he had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso working on "La Célestine" where he had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso working on "La Célestine" where he had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso working on "La Célestine" where he had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso working on "La Célestine" where he had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso working on "La Célestine" where he had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso working on "La Célestine" where he had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • "La Célestine" where Picasso had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso after working on "La Célestine" where he had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso after working on "La Célestine" where he had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso after working on "La Célestine" where he had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • "La Célestine" where Picasso had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • "La Célestine" where Picasso had to do his signature backwards. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Henri-Georges Clouzot. Large signature second version. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Henri-Georges Clouzot and Pablo Picasso. Large signature second version. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Henri-Georges Clouzot and Pablo Picasso. Large signature second version. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. Large signature second version. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. Large signature second version. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. Large signature second version. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. Large signature third version (used in the film). "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. Large signature third version (used in the film). "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso and Henri-Gerges Clouzot. "Le mystère Picasso", Nice, Studios de la Victorine 1955. - Photo by Edward Quinn
  • Pablo Picasso at work. During filming of "Le mystère Picasso", documentary. Nice, Studios de la Victorine, 1955. - Photo by Edward Quinn
  • Brigitte Bardot with her signature. Cannes Film Festival 1956. - Photo by Edward Quinn
  • Jean Cocteau working on the mural of the "Chapelle Saint Pierre" in Villefranche-sur-Mer 1956. - Photo by Edward Quinn
  • Michèle Morgan showing her autograph at lunch during the Cannes Film Festival 1956. Place card of François Mitterand in the foreground. - Photo by Edward Quinn
  • Pablo Picasso dedicating a tile (". Ramié"). La Californie, Cannes 1956. - Photo by Edward Quinn
  • Pablo Picasso dedicating a tile (". Ramié"). La Californie, Cannes 1956. - Photo by Edward Quinn
  • "Faune" or "Portrait d'un homme" (dedicated: pour Quinn)", La Californie, Cannes 1956. - Photo by Edward Quinn
  • "Taureau et Torero", Vallauris, Cannes 1956. Private collection. - Photo by Edward Quinn
  • Pablo Picasso signing "Faune debout jouant de la diaule, nymphe assise au tambourin et au compotier de fruits, et centaure barbu au trident IV" or "Faune jouant de la diaule, nymphe au compotier et centaure" (Suite Antipolis), 1946. La Californie, Cannes 1957. - Photo by Edward Quinn
  • La Californie, Cannes 1957. - Photo by Edward Quinn
  • Pablo Picasso with "Femme dans l'atelier". La Californie, Cannes 21.11.1957. - Photo by Edward Quinn
  • Pablo Picasso with "Femme dans l'atelier". La Californie, Cannes 21.11.1957. - Photo by Edward Quinn
  • Pablo Picasso with "Femme dans l'atelier". La Californie, Cannes 21.11.1957. - Photo by Edward Quinn
  • Pablo Picasso with colorized "Femme dans l'atelier" for Edward Quinn. La Californie, Cannes 21.11.1957. - Photo by Edward Quinn
  • Pablo Picasso with "Femme dans l'atelier". La Californie, Cannes 21.11.1957. - Photo by Edward Quinn