Salvador Dalí shows the set up from which he hopes to obtain a painting: A sea urchin is placed on an overturned inkwell glass and in its mouth, the "Aristotle's lantern", he puts a swan’s feather or here a light dried up flower. The object is allowed to slightly touch a sheet of blackened paper. The movements then made by the sea urchin are traced on the paper. The display board shows a sea urchin fossile. At Dalí's house, Portlligat, Cadaqués 1957.

$Salvador Dalí shows the set up from which he hopes to obtain a painting: A sea urchin is placed on an overturned inkwell glass and in its mouth, the "Aristotle\'s lantern", he puts a swan’s feather or here a light dried up flower. The object is allowed to slightly touch a sheet of blackened paper. The movements then made by the sea urchin are traced on the paper. The display board shows a sea urchin fossile. At Dalí\'s house, Portlligat, Cadaqués 1957. - Photo by Edward Quinn$

Salvador Dalí shows the set up from which he hopes to obtain a painting: A sea urchin is placed on an overturned inkwell glass and in its mouth, the "Aristotle's lantern", he puts a swan’s feather or here a light dried up flower. The object is allowed to slightly touch a sheet of blackened paper. The movements then made by the sea urchin are traced on the paper. The display board shows a sea urchin fossile. At Dalí's house, Portlligat, Cadaqués 1957.

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Photo Edward Quinn, © edwardquinn.com / © Salvador Dalí, Fundació Gala-Salvador Dalí / 2020, ProLitteris, Zurich
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