The Edward Quinn Archive

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A total of 1615 images have been found for the keyword «AtWork».

  • Massimo Campigli at his studio in Saint-Tropez 1964. - Photo by Edward Quinn
  • Massimo Campigli with his portrait by Marino Marini at his studio in Saint-Tropez 1964. - Photo by Edward Quinn
  • Massimo Campigli at his studio in Saint-Tropez 1964. - Photo by Edward Quinn
  • Massimo Campigli at his studio in Saint-Tropez 1964. - Photo by Edward Quinn
  • Massimo Campigli at his studio in Saint-Tropez 1964. - Photo by Edward Quinn
  • Jane Fonda, Alain Delon and director René Clément on the film set of "Les Félins" ("Love Cage", "Joy House"), Antibes 1964. - Photo by Edward Quinn
  • John Surtees, (21) Ferrari 158. Monaco Grand Prix 1964. - Photo by Edward Quinn
  • Lorenzo Bandini, (20) Ferrari 156. Monaco Grand Prix 1964. - Photo by Edward Quinn
  • Louis le Brocquy and his wife Anne Madden le Brocquy at their studio with painting "Laussel Venus". Carros 1964. - Photo by Edward Quinn
  • Louis le Brocquy and his wife Anne Madden, also a painter, at their studio with painting "Laussel Venus". Carros 1964. - Photo by Edward Quinn
  • Louis le Brocquy at his studio with painting "Laussel Venus". Carros 1964. - Photo by Edward Quinn
  • Louis le Brocquy at his studio with painting "Laussel Venus". Carros 1964. - Photo by Edward Quinn
  • Louis le Brocquy at his studio with painting "Laussel Venus". Carros 1964. - Photo by Edward Quinn
  • Louis le Brocquy at his studio with painting "Laussel Venus". Carros 1964. - Photo by Edward Quinn
  • Louis le Brocquy and his wife Anne Madden le Brocquy at their studio with painting "Laussel Venus". Carros 1964. - Photo by Edward Quinn
  • Louis le Brocquy at his studio. Carros 1964. - Photo by Edward Quinn
  • Louis le Brocquy at his studio. Carros 1964. - Photo by Edward Quinn
  • Louis le Brocquy at his studio. Carros 1964. - Photo by Edward Quinn
  • Louis le Brocquy at his studio with painting "Laussel Venus". Carros 1964. - Photo by Edward Quinn
  • Louis le Brocquy at his studio with painting "Laussel Venus". Carros 1964. - Photo by Edward Quinn
  • Louis le Brocquy and his wife Anne Madden le Brocquy at their studio with painting "Laussel Venus" by le Brocquy and under the easel "Land near Kilnaboy" by Madden. Carros 1964. - Photo by Edward Quinn
  • Louis le Brocquy and his wife Anne Madden le Brocquy at their studio with painting "Laussel Venus" by le Brocquy and under the easel "Land near Kilnaboy" by Madden. Carros 1964. - Photo by Edward Quinn
  • Louis le Brocquy at his studio with paintings "Laussel Venus" and "Willendorf Venus". Carros 1964. - Photo by Edward Quinn
  • Anne Madden le Brocquy in the studio she shared with her husband Louis le Brocquy. Carros 1964. - Photo by Edward Quinn
  • Anne Madden le Brocquy in the studio she shared with her husband Louis le Brocquy. Carros 1964. - Photo by Edward Quinn
  • Anne Madden le Brocquy at work at the studio she shared with her husband Louis le Brocquy, Carros 1964. - Photo by Edward Quinn
  • Anne Madden le Brocquy at work at the studio she shared with her husband Louis le Brocquy, Carros 1964. - Photo by Edward Quinn
  • Joan Miró installing a sculpture in the gardens of Musée Maeght. Saint-Paul-de-Vence 1964. - Photo by Edward Quinn
  • Joan Miró installing a sculpture in the gardens of Musée Maeght. Saint-Paul-de-Vence 1964. - Photo by Edward Quinn
  • Joan Miró installing a sculpture in the gardens of Musée Maeght. Saint-Paul-de-Vence 1964. - Photo by Edward Quinn
  • Pablo Picasso’s linocut instruments. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso’s linocut instruments. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso’s linocut instruments. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso’s linocut instruments. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso’s linocut instruments. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso’s linocut instruments. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working with the help of Hidalgo Arnéra on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working with the help of Hidalgo Arnéra on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working with the help of Hidalgo Arnéra on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso with the help of Hidalgo Arnéra working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Roland Penrose in the background. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso washing a linocut print to remove surplus ink. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso washing a linocut print to remove surplus ink. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso washing a linocut print to remove surplus ink. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso washing a linocut print to remove surplus ink. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn