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A total of 1615 images have been found for the keyword «AtWork».

  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso washing a linocut print to remove surplus ink. Even though he was nearly eighty at the time he did this work, he enjoyed the physical effort and the adventure. Roland Penrose in the mirror. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working with the help of Hidalgo Arnéra on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso washing a linocut print to remove surplus ink. Even though he was nearly eighty at the time he did this work, he enjoyed the physical effort and the adventure. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso washing a linocut print to remove surplus ink. Even though he was nearly eighty at the time he did this work, he enjoyed the physical effort and the adventure. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso washing a linocut print to remove surplus ink. Even though he was nearly eighty at the time he did this work, he enjoyed the physical effort and the adventure. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso washing a linocut print to remove surplus ink. Even though he was nearly eighty at the time he did this work, he enjoyed the physical effort and the adventure. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working with the help of Hidalgo Arnéra on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso washing a linocut print to remove surplus ink. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso washing a linocut print to remove surplus ink. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso washing a linocut print to remove surplus ink. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso washing a linocut print to remove surplus ink. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso washing a linocut print to remove surplus ink. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). With Roland Penrose and Hidalgo Arnéra. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). With Hidalgo Arnéra. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso working on linogravure rehaussée, the so called épreuves rincées (rinsed proofs). Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Roland Penrose and Pablo Picasso viewing the book "Pablo Picasso at work" by Edward Quinn with pictures of "La plage à la Garoupe II". Mas Notre-Dame-de-Vie, Mougins Oct 28 1964. - Photo by Edward Quinn
  • Pablo Picasso and Hidalgo Arnéra. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso, Roland Penrose and Hidalgo Arnéra. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso, Roland Penrose and Hidalgo Arnéra. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso, Roland Penrose and Hidalgo Arnéra. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Samivel (Paul Gayet-Tancrède). Piol 1954. - Photo by Edward Quinn
  • Richie Ginther, (without number) Honda RA272. Monaco Grand Prix 1965. - Photo by Edward Quinn
  • Ronnie Bucknum, (19) Honda RA272. Monaco Grand Prix 1965. - Photo by Edward Quinn
  • Ronnie Bucknum, (19) Honda RA272. Monaco Grand Prix 1965. - Photo by Edward Quinn
  • Richie Ginther, (20) Honda RA272. Monaco Grand Prix 1965. - Photo by Edward Quinn
  • Honda RA 272 of Ronnie Bucknum. Monaco Grand Prix 1965. - Photo by Edward Quinn
  • Jackie Stewart, (4) BRM P261. Monaco Grand Prix 1965. - Photo by Edward Quinn
  • Jackie Stewart, (4) BRM P261. Monaco Grand Prix 1965. - Photo by Edward Quinn
  • Max Ernst working on the painting "Schwalbennest". Seillans 1966. - Photo by Edward Quinn
  • Max  Ernst  working on the painting "Schwalbennest" ("Un nid d'hirondelle", "A Swallow's Nest") 1966. Seillans 1966. - Photo by Edward Quinn
  • Thge hands of Max Ernst working on the painting "Schwalbennest". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst working on the painting "Schwalbennest". Seillans 1966. - Photo by Edward Quinn
  • Max  Ernst  working on the painting "Schwalbennest" ("Un nid d'hirondelle", "A Swallow's Nest") 1966. Seillans 1966. - Photo by Edward Quinn
  • Max Ernst working on the painting "Schwalbennest". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst working on the painting "Schwalbennest". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst working on the painting "Schwalbennest". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst working on the painting "Schwalbennest". Seillans 1966. - Photo by Edward Quinn
  • Max  Ernst  working on the painting "Schwalbennest" ("Un nid d'hirondelle", "A Swallow's Nest") 1966. Seillans 1966. - Photo by Edward Quinn
  • Max Ernst working on the painting "Schwalbennest". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst working on the painting "Schwalbennest". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst working on the painting "Schwalbennest". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst working on the painting "Schwalbennest". Seillans 1966. - Photo by Edward Quinn
  • Max Ernst working on the painting "Schwalbennest". Seillans 1966. - Photo by Edward Quinn