The Edward Quinn Archive

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A total of 1425 images have been found for the keyword «Sculptures».

  • A door to one of the two more large rooms that Pablo Picasso added on the terrace of Mas Notre-Dame-de-Vie and used as studios. Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso in the room, that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Picasso in the room, that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. In the foreground. a photo of an Aemrican skyscraper for whose entrance Pablo Picasso was asked to do a sculpture. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Detail of Pic640137. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Detail of Pic640139, some sculptures are pairs. . Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. (Digitized from Vintage Print, original negative missing) - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Picasso and Jacqueline in the room, that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Detail of Pic640144, some sculptures are pairs. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline in the room that became known as the viewing room. He would arrange his work so that he could see it from the living room every time he passed. He liked to bring his close friends there for a private viewing. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso at Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Picasso and Hidalgo Arnéra at Mas Notre-Dame-de-Vie, Mougins 1964. , - Photo by Edward Quinn
  • Pablo Picasso in one of his studios at Mas Notre-Dame-de-Vie, turning a three dimensional cutout head inspired by Jacqueline's classical features. Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso at Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso at Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso at Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso at Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Linoblocks and prints. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • In his studio at Mas Notre-Dame-de-Vie, Pablo Picasso shows for comparison his original linoleum block for "Portrait of Jacqueline" and a linocut print made from it. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso and Roland Penrose. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso and Hidalgo Arnéra. Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso at Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Pablo Picasso at Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins Oct. 1964. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie, Mougins Oct. 1964. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline. First photos after surgery at British-American Hospital in Paris. Mas Notre-Dame-de-Vie, Mougins 1965. - Photo by Edward Quinn
  • Mas Notre-Dame-de-Vie Mougins 1965. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline. First photos after surgery at British-American Hospital in Paris. Mas Notre-Dame-de-Vie, Mougins 1965. - Photo by Edward Quinn
  • Pablo Picasso and Jacqueline. First photos after surgery at British-American Hospital in Paris. Mas Notre-Dame-de-Vie, Mougins 1965. - Photo by Edward Quinn
  • Pablo Picasso at Mas Notre-Dame-de-Vie, Mougins 1965. First photos after surgery at British-American Hospital in Paris. - Photo by Edward Quinn
  • Pablo Picasso at Mas Notre-Dame-de-Vie, Mougins 1965. First photos after surgery at British-American Hospital in Paris. - Photo by Edward Quinn
  • A corner of the painting studio on the ground floor. Pablo Picasso used photographer‘s lamp stands not only for working at night but also to illuminate works on his easels. Mas Notre-Dame-de-Vie Mougins 1965. - Photo by Edward Quinn